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David Yarrow
The Lion (B&W) - David Yarrow

2025

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

"The Lion (B&W)" Archival Pigment Print Provenance: From the collection of the artist. Also available in Colour. LARGE Edition of 12, 3 APs, 1 EP Image Size: 49" x 103" Framed Image: 64" x 118" STANDARD Edition of 12, 3 APs, 1 EP Image Size: 37" x 78" Framed Image: 52" x 93" A Small AP (Artist Proof) may be made available upon request. The price includes David Yarrow's black ash frame with white archival linen mat and UV protective acrylic. David Yarrow's Narrative for "The Lion": "I had a peculiar dream recently in which I was having a drink in an isolated, but unidentifiable, members only bar. It was a cold and rainy evening and the bar represented a place of relative warmth and comfort. There were a handful of customers in the club and I have no idea why my unconscious mind was taking me here - it was certainly not a place known to me. I have had the odd drink alone in a bar when the weather has been awful outside, but it’s not an obvious lifestyle trait. Anyhow, at some stage there was some noise outside and the barman asked me to open the door to the club and check out what was going on. I did as requested and there, in the doorway, in the pouring rain, was an enormous male lion. I woke up immediately in a panic and remembered the dream more vividly than normal. The imagery of the wet lion standing in the rain stayed with me and as time passed, I started to muse as to how we could create such a photograph. The idea was certainly authentic and I knew with the help of my dear friend Kevin Richardson - The Lion Whisperer - that anything was possible. Kevin and I spitballed over the phone as to how we could make this happen. It was not an easy premise to convert as lions do not like to get wet and will either seek shelter or shake off any surplus water immediately. But we worked out an approach with the rain and coupled that with a cage set up that would keep me safe. The key was then to convey a sense of nighttime even though we would be working at dawn. I haven’t seen a picture like this before and even better, I have never had the dream again. They are both hopefully one-offs." -David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2025
  • Dimensions:
    Height: 37 in (93.98 cm)Width: 78 in (198.12 cm)
  • More Editions & Sizes:
    Framed: 52" x 93" Edition of 12, 3 APs, 1 EPPrice: $50,976Framed: 64" x 118" Edition of 12, 3 APs, 1 EPPrice: $60,367
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388317126522

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Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 48 inches 67 x 67 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is as good as I can do. The best ideas tend to be simple and the best photographs can often have simplicity at their heart, rather than intimacy or visual overload. The paradox is that this simple portrait was the product of fairly complex working arrangements in the field. Unlike many of my lion shots, this was not taken with remote controls, it was camera in hand. I was in a two-man cage, with my assistant behind me controlling the door with a rope. The minimum distance I could feel safe was about 25 feet and this required the use of a 200 mm lens – long for me, but the outstanding lens in Nikon’s telephoto range. In my view, the best time to photograph lions is about half an hour after sunrise. The light gets stronger by the minute and this allows for a faster shutter speed or more depth of field. The face of the lion could not be sharper – every detail is there and he is looking right into my eyes – as he is transfixed. Three steps forward and the cage door closed and with it the opportunity. The image is timeless and the backlit dust adds to its elemental and rather biblical mood. I thought that we should call it The Old...
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