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David Yarrow
On the Road Again

2020

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

On the Road Again Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 63 inches 67 x 90 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Once we found the caterpillar road that dissects this picture, I knew that we had the canvas on which to continue our road series that started in 2018. The area is so remote that we doubt it has been used as a film location before, certainly not with an American icon as the lead player. The only traffic was the occasional oil worker or perhaps someone that was totally lost. The next big event north of here is the Canadian border and that’s some 300 miles away. It is not a place to run out of gas. Cindy makes the picture for sure. The styling is perfect and there is a such a good energy cowgirl chic in her manner. This was the intent in the preconception - the two companions were enjoying the freedom of the vastness of the American West. The sense of place is palpable. This is the America that so many know and love, with its long roads running to the horizon with either side exuding a simple sense of calm and solitude. No other country in the world offers road trips as visually rewarding as America and they are integral to the fabric of the American dream. The snowfall the previous night added another layer to the narrative both on the road itself and on the prairies. We were lucky that the snow stopped and the light picked up. It adds warmth to an image already glowing with positivity and joy. Willie Nelson was surely singing “On the Road Again” on the car radio with the volume turned up to the maximum level." -David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2020
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 63 in (160.02 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU38836974242

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Los Angeles, California 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 61 inches 67 x 87 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "My plan was to find a section of Sunset Boulevard emblematic of Hollywood - it needed to be familiar to all and have some depth. After a great deal of walking up and down, we chose a spot 200 yards east of the entrance to Chateau Marmont, because the billboards looking west were large and well positioned and the hotel and the hotel sign are so iconic. The bend in the road also helped give the frame a compositional balance that I could not find on other sections - such as Sunset Plaza. In my head it was always going to be a wide angle shot. To shut the road down meant shooting first thing on a Sunday morning - which worked as we knew the best light would be sunrise if we were shooting towards the Pacific. Equally, I did not want the sun to rise too much as it would be tough on both the wolf and the model’s eyes. Of course, the model was not your run of the mill model - it was Alessandra Ambrosio - one of the world’s most photographed women. She has a very special look and is so easy to work with. The photograph is as I wanted - very LA, very West Hollywood and jammed with reference points. It’s a little crazy, a little La La Land, but that was the goal. Most of all, to the best of my knowledge, it’s authentic. No one can try and copy it now. "Once Upon a Time...
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