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Ian SandersonRachael - Signed limited edition sexy print, Contemporary, Black High Heels1983
1983
$3,610.94
£2,626.92
€3,000
CA$4,927.90
A$5,487.66
CHF 2,856.02
MX$67,662.14
NOK 36,373.62
SEK 34,187.68
DKK 22,831.40
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About the Item
Rachael - Signed limited edition archival pigment print - Edition of 5
This image was captured on film in 1983.
The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity.
Signed + numbered by artist with certificate of authenticity
Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested
Archival pigment print available sizes ( Image size , the white margin is not counted) :
55 x 40 cm / 21.65 x 14,74 in - Edition of 5
96 x 70 cm / 37,79 x 27,56 in - Edition of 5
120 x 87 cm / 47,24 x 34,25 in - Edition of 5
Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer.
He produced images over a 35 year career, and in recent years used archival techniques to produce his prints.
For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery.
Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation.
The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art).
They have created rare and personalized pieces with an artisanal technique.
Ian Sanderson was one of only a handful of artists worldwide producing this type of work.
Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs.
categories :
Black and white photography, 20th. century, Archival print, Sensual, Monochromatic, Fine art, Semi nude, woman, figurative , Black and white photography, Grainy, Photographic film, Analogue, Analog, Antique, Vintage, Aesthetic photo, Large-scale, Timeless
- Creator:Ian Sanderson (1951 - 2020, Scottish)
- Creation Year:1983
- Dimensions:Height: 37.8 in (96 cm)Width: 27.56 in (70 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sant Cugat del Vallès, ES
- Reference Number:1stDibs: LU129125545582
Ian Sanderson
Two 19th-century printing techniques, platinum palladium and gum bichromate, which are best known for their integration of precious materials, complex processes and durability, were nearly lost over time — until recently. In his final years, Scottish photographer Ian Sanderson breathed life back into these forgotten techniques with his black and white photography, nude photography and other works, and he was one of only a handful of artists worldwide to have done so at the time.
Sanderson studied Fine Art at Sunderland University in England but could not afford to pursue postgraduate studies back then. Instead, Sanderson explored photography on his own while working a host of jobs including factory work, a silkscreen printer, and a photographer for the conservation department for the Newcastle Upon Tyne museums. He was able to move to Brighton to complete one year of postgraduate studies in Art Education and become both a lecturer at Northbrook College and a teacher in a closed unit for young criminals.
Seemingly on his way to a stable career, the 1990s had other plans for Sanderson. The UK financial crisis saw Sanderson lose his job and apartment, sending him back to square one. By 1993, he was able to buy a computer and teach himself how to become proficient at a relatively new, revolutionary application — Photoshop. From there, Sanderson secured freelance work with commercial clients including General Motors, Subaru, Alfa Romeo and Coca-Cola.
In 2009, Sanderson made an important connection when he photographed legendary Tiffany & Co. jewelry designer and philanthropist Elsa Peretti for the Financial Times in London. The pair worked closely together on and off for years. Peretti and her foundation sponsored a large retrospective exhibition in Barcelona focusing on Sanderson’s photography. It was at this show that Sanderson had the opportunity to produce prints by way of the archival techniques he’d revived.
On 1stDibs, find a collection of authentic Ian Sanderson photography.
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