Ion Zupcu

Log Cabin

2012

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Ion Zupcu writes: “The houses showcased in this series illustrate the spirit and evolution of common houses found throughout North American neighborhoods from the past four centuries. They represent a range of homes from Folk Houses to McMansions. The development of these styles is a reflection of our ever-changing taste and sensibility. "The photographs in ‘American Homes’ are the result of my passion and investigation for architecture, structure, and light. My experience with three-dimensional forms has created a fluid transition into a deeper understanding of the history and design of American homes. "Through a collaborative process, architectural models were carefully selected, designed, and constructed for these photographs with architect Tagore Hernandez. During the iterative processing beginning with detailed models, I became aware that what captivated me the most about domestic homes was their outline and form. Initial detail models were stripped down, recreated, and presented in a way that allowed their sculptural forms to emerge. "All the houses are put on the stage before the public. These houses are not landmarks, they are icons of the places in which we sleep, eat, and raise our families. I have lived with my wife and daughter in a Shed Modern home for the past seven years in Upstate New York.” Ion Zupcu first explored his interest in photography by working in a studio in Romania when he was a young man. A few years later, after getting married and having his first child, Zupcu found himself spending long hours caring for his daughter. With a desire to continue pursuing his interest in photography, he began shooting still-life compositions at home with vases and flowers. It was during this time that he also began researching the work of early 20th-century Modernist photographers in depth, which ultimately influenced his aesthetic a great deal. In 1991 Zupcu moved to New York City to start a new life for himself. His first job was driving a yellow taxi...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

Antony Zega (1962-2019). Leaning Pine (Cape Cod), ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp o...

Make me a willow cabin at your gate, and call upon my soul within the house. Twelfth Night, Shakespeare Certainly, home is a place. It is also a place of mind. For the spirit too, home offers familiarity and solace, shelter and rest. Yet a house is not for hiding from the world; it has windows, and doors to enter but also leave by. As a girl, I adored the Wind in the Willows where homes were in and of the landscape—built underground, along the riverbank, and in the woods. A place where you can be still, letting the world come to you, watching birds fly by. This series of photographs blends the domesticity of home with the joy of wilderness, the natural world. The paper houses are built from letters, postcards and envelopes saved through the decades in old shoeboxes by my grandparents and discovered in their attic a few years ago. The images are printed on old envelopes collected from around the world; artifacts from the last centuries. What did the envelopes contain? Where did they come from? In whose mailbox were they delivered? What stories do they tell? – Rachel Phillips Artwork is an Archival Pigment Print transfer on Antique Envelope...

Anne Sager (American, 1930-2024), Wood Grain, Color Photograph, Chromogenic Print, apparently unsigned, with artist's estate stamp to verso, in mat, unframed. Image: 12.75" H x 15.25...