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Jesse Alexander
Ferrari Mechanics, Grand Prix of Italy, Monza

1956

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  • Untitled (Reflection with Vehicles)
    By Lee Friedlander
    Located in Dallas, TX
    Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...
    Category

    1960s Post-Modern Black and White Photography

    Materials

    Etching, Silver Gelatin

  • Ahead of the Storm, Boquillas, Mexico by Chris Regas, 1968, Toned Silver Gelatin
    By Chris Regas
    Located in Dallas, TX
    Ahead of the Storm, Boquillas, Mexico by Chris Regas depicts a cowboy riding a horse into a storm. The dusty air clouds the silhouetted figure, making it har...
    Category

    1960s Post-Modern Black and White Photography

    Materials

    Silver Gelatin

  • Untitled (Overview of cul-de-sac)
    By Bill Owens
    Located in Dallas, TX
    Signed, print date, misc. notation in pencil on verso. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography ...
    Category

    1970s Post-Modern Black and White Photography

    Materials

    Silver Gelatin

  • Untitled (firemen and chair)
    By Lee Friedlander
    Located in Dallas, TX
    Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75) Paper ...
    Category

    1960s Post-Modern Black and White Photography

    Materials

    Silver Gelatin

  • We really enjoy getting together, from Suburbia
    By Bill Owens
    Located in Dallas, TX
    "We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time." from series, Suburbia Edition of 15 Signed, dated and number...
    Category

    1970s Post-Modern Black and White Photography

    Materials

    Silver Gelatin

  • Desnudo
    By Carlos Jurado
    Located in Dallas, TX
    Signed, titled, and dated.
    Category

    1970s Post-Modern Black and White Photography

    Materials

    Silver Gelatin

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    From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This artwork is offered by ClampArt, located in New York City. “Meatyard searched continually for a non-objective art that would be wordless poetry, spontaneous music without sound. The ‘Motion-Sound’ pictures of his later years brought Meatyard’s passion for music and, paradoxically, the silence of Zen Buddhism together in photography. In creating the series, he focused the camera on a natural scene (or one containing plain rural architecture) and then moved it slightly. The result of this action is an image that suggests sound while abstracting natural forms. The landscapes of the ‘Motion-Sound’ series are in stark contrast to the evocative, more traditional views of the Red River Gorge that Meatyard was executing during the same years.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), p. 122 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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