John Kenny 1

Lemarleni - Photograph by John Kenny, C-type Print with Acrylic Face-Mount

2019

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken wit...

A portrait of Lekutano, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with...

Bi Kidude by Justin Creedy Smith 1998 (Bi Kidoude) Fatuma binti Baraka One of the last great Taarab singers in Zanzibar detail photo November 1998 Exquisite 20x16 inches silver gelatin print - Galerie Prints Limited Edition to 50 only. numbered by the gallery 1/50 biography Justin Creedy Smith is a British photographer. Having graduated with a bachelor of arts degree – including a thesis on the role of war photography as a propaganda tool – he moved to Paris in 1984. Initially working as a studio assistant, his apprenticeship in fashion and advertising photography was both intense and diverse. He rapidly started assisting on a free-lance basis the likes of Horst P. Horst and Steven Meisel. From 1985 until 1987 he was assistant to Peter Lindbergh. In 1987 he travelled to Japan for the first time, a voyage that had a profound impact on him. Returning to Europe in 1988 he started working for Japanese magazines...

"OTHER 50" Photography (FRAMED) 60" x 48" inch Edition of 10 by Giuliano Bekor Archival pigment print mounted on dibond Custom frame comes with non reflective museum glass Men's - Other Series Intro This series connecting us to nature’s raw materials to create a piece that is organic and pure. We put on the mask and the headdress not to hide but to reveal ourselves, to give ourselves the freedom to break with taboo, to transgress, to transform. Referencing ritual and native practices, this collection pays homage to an identity built by reaching into the Other and imbibing cross-cultural forms of self-expression. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...