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Linarejos Moreno
Art Forms in Mechanism XXlV

2016

About the Item

Linarejos Moreno Art Forms in Mechanism XXIV, 2016 Edition of 3 + 2 AP archival digital print on Baryta paper 75 5/8 x 46 in (192 x 117 cm) 77 3/4 x 48 x 3 1/2 inches framed
  • Creator:
    Linarejos Moreno (1974, Spanish)
  • Creation Year:
    2016
  • Dimensions:
    Height: 77.75 in (197.49 cm)Width: 48 in (121.92 cm)Depth: 3.5 in (8.89 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The dimensions quoted are the framed dimensions.
  • Gallery Location:
    Houston, TX
  • Reference Number:
    Seller: LM 441stDibs: LU4322237673

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Art Forms in Mechanism XXlll
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Linarejos Moreno Art Forms in Mechanism XXlll, 2016 natural pigments print on gessoed burlap 117 x 60 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
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Art Forms in Mechanism XX
By Linarejos Moreno
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Linarejos Moreno Art Forms in Mechanism XX, 2016 archival digital print on Baryta paper, ed. 1/3 75-5/8 x 51-1/4 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
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Art Forms in Mechanism XXll
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Linarejos Moreno Art Forms in Mechanism XXll, 2016 natural pigments print on gessoed burlap 117 x 58 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
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Art Forms in Mechanism XXl
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Linarejos Moreno Art Forms in Mechanism XXl, 2016 natural pigments print on gessoed burlap 124 x 59 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
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