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Mark SinkParis Dawn2013
2013
About the Item
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle.
This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism technique, a result of Heal’s signature in-camera developing technique.
One of the most exciting parts of the summertime salon is the introduction of new artists and of new work by existing artists. One such piece, “Cloud Horse” by Benjamin Heller, depicts a horse powerfully rearing its head into the sky above, its dark mane propelled by its movement against the wind. The large, white markings on the horsehide emulate the clouds in the backdrop, while the photographer’s angle creates the illusion of life in the man-made horse.
Suspended from the gallery ceiling are two surfboards displaying images by artist Steve Miller, whose current work is an expansion of his previous solo show depicting various objects under an x-ray machine. The usable, hand-made surfboards display silk-screens and digital prints of the skeletal structures of Brazilian wildlife; the two surfboards used in the summertime salon display an iguana and an alligator, respectively.
Black and White, Landscape, Landmark, Paris, France, Birds
- Creator:Mark Sink (1958, American)
- Creation Year:2013
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU11112826
Mark Sink, a Denver-based photographer, had a formative experience in the 1980s working alongside several influential artists in New York City. During this period, he collaborated with Robert Mapplethorpe, known for his bold and intimate portraits, whose work deeply influenced Sink's approach to human subjects. He also worked with Keith Haring, whose vibrant, socially engaged art inspired Sink’s exploration of color and dynamic space in photography. Additionally, Sink was exposed to the creative atmosphere of Andy Warhol's Factory, where he absorbed Warhol’s unique approach to celebrity culture and mass production, shaping his understanding of the art-world persona. Sink also collaborated with Cindy Sherman, whose conceptual photography focused on identity and self-representation, influencing Sink's own exploration of these themes in portraiture. Sink’s collaborations with these and other prominent artists like Jean-Michel Basquiat and Laurie Anderson provided him with a rich artistic foundation. Their innovative work encouraged Sink to experiment with different photographic techniques and to blend fine art, performance, and conceptual photography, a direction that would define much of his career. These experiences in New York City helped shape Sink’s artistic vision, which continues to push the boundaries of traditional photography while exploring identity, memory, and the human experience.

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