Cardboard Black and White Photography
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Style: Surrealist
Medium: Cardboard
Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Yokohama is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm.
They were realized in the 1890s.
Good conditions except for being aged.
Ca...
Category
1890s Surrealist Cardboard Black and White Photography
Materials
Cardboard, Photographic Paper
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Morning light illuminates the layered landscape of Yosemite National Park, Half Dome gently awakens. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the ephemeral nature of all things.
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Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality archival art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone.
Each print comes with a Certificate of Authenticity featuring a signature and edition number.
Each printing is bespoke to order and can be printed on a single paper 15 x 30 inches. Please contact me for further information, or send a message with your order.
Other sizes available
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About The Artist
Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present.
'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’
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