Ink Black and White Photography

David Bailey Paul McCartney [Mirror], 1967 Silver Gelatin Print Signed by the artist, on verso Image: 43.1 x 43.1 cm Sheet: 50.8 x 60.9 cm Edition of 25

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

'Lily '23' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fro...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Black and White Fine Art Landscape Photography. Beautiful view of traditional Gondola on Canal Grande with Basilica di Santa Maria della Salute in the background, Venice, Italy. Arch...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Heading Home – Frank Sinatra circa 1953 getting into his Cadillac. Hollywood, CA. Giclee 300gsm smooth archival rag paper and archival ink Each fine print is numbered and embossed ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Frank and Dean recording. October, 1958. Sleep Warm album recorded by Dean Martin for Capitol Records in three sessions between October 13-15, 1958 with arrangements by Pete King and...

Driving Home – Frank Sinatra circa 1950 driving his Cadillac. Hollywood, CA. From Sinatra Family Archive Giclee 300gsm smooth archival rag paper and archival ink Each fine print i...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Frank Sinatra recording at Capitol Records. Sinatra was recording his classic album "Songs for Swingin' Lovers!" at KHJ Studios in Hollywood, CA. "Songs for Swingin' Lovers!" was Sin...

Sitting at Desk – circa 1945. Frank Sinatra at home in Toluca Lake. Note the portrait of FDR on the wall. Sinatra said after meeting him “He’s the greatest man alive today and here’s...

Wave - Signed limited edition archival pigment print, Edition of 5 Breaking wave on the Spanish coast Can be paired with " Wave 2 " by Ian Sanderson. This is an Archival Pigment pr...

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

Vanishing Point; Caprarola and Black Rock City (Burning Man) - 2010 Edition of 10, 20x60cm, Archival Pigment Print on Velvet Watercolor Paper, 310gsm, Bright White, Acid Free. Si...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sammy ‘ from 1984. A man takes his dog ...

Handcuffed (or Arrested), New York City, 1978 by Leonard Freed is 19" x 13" in a limited edition of 10 signed by the estate, Brigitte Freed (wife of th...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sammy ‘ from 1984. A man takes his dog ...

'Aspens, California' Master Edition (Unique artwork, 1 of 1). Archival photographic triptych . Hand signed and numbered. Unframed. _________________ Late afternoon light in Yosemit...

'Peony No.6’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle...

'Karine', Edition 2/10, 20x30cm, 2018 Art Print on Velvet Watercolor Paper, 310gsm, Bright White, Acid Free Signature label and Certificate. About Tao Ruspoli (born 7 November 1975)...

This is # 2/7 Fine Art Print Limited Edition 42cm x 60 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in the coworking area named The Spaces (Gare Maritime - Tour & Taxis) from december 15th up to march 31st Thirty prints are housed in high quality black anodized metal American boxes and all prints are supplied on heavyweight fine art paper printed with museum pigment inks. All photographs are exclusively offered in limited editions in 4 different formats : 42cm x60cm (7+2AP) 60cm x80cm (7+2+AP) 70cm-100cm (5+2AP) 100cmx150cm (3+2AP) Stefan Darte is a fighter pilot in the Belgian Air Force...

'Baltic freeze #3' 2022 A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these limited...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 45" x 64" unframed (114cm x 163cm) 2016 Edition 3/10 *Should you wish the photograph to be prin...

Black Dahlia #16 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 32" in an Edition of 10. Gatward...

Legends Corner, Nashville Tennessee, Nightwalks - American Nightlife Photography "Legend's Corner, Nashville Tennessee" by Morgan Silk is a black and white Archival Inkjet Print. I...

Square Table, 1992 Still Life Photograph of Antique Table by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown wood shadow box frames, no mat with AR non g...

'Baltic freeze #3' 2022 A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these limited...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Roberta Fineberg’s Black and White Canals, Amsterdam, 2024 renders the Dutch urban landscape with the crispness of an etching. In the artist's Cities series the photograph is 20" x 1...

The baby in the image is one of Japanese artist Yoshihiko Ueda's children and reveals the photographer's eye for artful composition. The photograph "Hands and Feet" by Ueda is an arc...

'Cadaques' , 2017 20x30cm, Edition 2/10. Archival Pigment Print. Signature label and Certificate. Not mounted. Published in Tao Ruspoli's Monography 'Midway on our Life's Journe...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 53" x 36" unframed (135cm x 91cm) 2016 Edition 6/10 Aditya Dicky Singh's images have ent...

Ghost Story - 2020 Edition of 10 plus 2 Artist Proof, 20x25cm. Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounte...

Black and White Fine Art Landscape Photography. Single Joshua Tree in the Mojave desert, California, USA. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered...

'Frozen beach' Neringa, Lithuania 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest arc...

This is # 1/5 Fine Art Print Limited Edition 70 cm x 100 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in the coworking area named The Spaces (Gare Maritime - Tour & Taxis) from december 15th up to march 31st Thirty prints are housed in high quality black anodized metal American boxes and all prints are supplied on heavyweight fine art paper printed with museum pigment inks. All photographs are exclusively offered in limited editions in 4 different formats : 42cm x60cm (7+2AP) 60cm x80cm (7+2+AP) 70cm-100cm (5+2AP) 100cmx150cm (3+2AP) Stefan Darte is a fighter pilot in the Belgian Air Force...

large scale photograph of iconic classic motorcycle Chopper (2003) 48 x 85 inches (122 x 216cm) signed edition of 7 22.5 x 40 inches (57 x 102cm) signed edition of 25 archiva...

Black Dahlia #2 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 32" in an Edition of 10. Gatward'...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Fragments II, Rome, Italy 2019 by Roberta Fineberg was shot at Ostia Antica, the Old Port of Rome and present-day archeological site in Italy. The image captures a symmetrical albeit...

'Agrostemma Crescent' 2024 Photographed using large format 4x5 film camera. From limited edition of 20. The photograph is signed front bottom right corner and comes with a certifi...

Black Dahlia #15 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 32" in an Edition of 10. Gatward...

Black and white fine art long exposure waterscape - landscape photography. Giant rocks on the sandy beach of the Atlantic coast in France. Archival pigment ink print as part of a lim...

Nick Vedros Pavlov’s Dog with Jumper Cables Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 9.5x12in Edition: 15 Signed, dated and numbered by hand on labe...

Large scale original art photograph of the Atomium, a landmark modernist monument building in Brussels, Belgium, originally constructed as the centrepiece of the 1958 Brussels World'...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

Shannon Mccollum, Nina and Lil Yachty, Venice - 2014 Edition of 10, 20x30cm, Archival C-Print, printed Fuji Archive matte. Signature label and Certificate. Not mounted. Publish...

'Agrostemma Crescent' 2024 Photographed using large format 4x5 film camera. From limited edition of 20. The photograph is signed front bottom right corner and comes with a certifi...

'Summer Solstice' 2024 Photographed using large format 4x5 film camera, that captures incredible detail and the light dynamics of peonies and agrostemma flowers in water reflecting ...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

'Tyrolian winter morning' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the te...

'In Parallel’ Enter a world of serene simplicity and timeless beauty, encapsulated within the frame of a 4x5 analogue film photograph. This black and white fine art piece presents a...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

'Poppy bud' Analogue monochrome floral photography. London, United Kingdom 2024. Limited edition of 10. Printed on the finest archival Hahnemühle Photo Rag paper, these limited e...