Nenad Samuilo Amodaj

Sign 81

2010

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

This listing is for the unframed photograph. Rice proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers. This ...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Larry Fink (American, born 1941). "Lovers in Doorway" - late 20th century, silver gelatin photograph print, signed "Larry Fink" to lower right and numbered ...

Fabien Mara Carla & Olga / Balmain couture, 1990 Silver gelatin print 150 x 200 cm Edition of 7 Signed, numbered, and dated Fabien Mara lives and ...

Street Photography was a true love of Art Shay as is clearly evident in this 1949 Vintage Photo of a street transaction. The photograph is matted and framed in a simple black metal ...

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992 Vintage Silver Gelatin Print, Unique Image 36 x 28 cm (14 1/8 x 11 in.) Sheet 61 x 50.8 cm (24 x 20 in.) Frame 62 ...