Norman Parkinson

Norman Parkinson 'Beatles Russel Square'

1963

Lillian Bassman Harper's Bazaar, Barbara Mullen, c. 1947 Vintage gelatin silver print image size: 13 x 10 1/2 inches frame size: 29 x 24 3/4 x 1 3/4...

Ted Williams Louis Armstrong 1962 (printed later) Silver gelatin print 40 x 60 inches Estate stamped and numbered edition 25 with certificate of authenticity Louis Armstrong on-sta...

Ted Williams Sarah Vaughan 1948 (printed later) Silver gelatin print 40 x 60 inches Estate stamped and numbered edition 25 with certificate of authentic...

Ted Williams Duke Ellington 1960 (printed later) Silver gelatin print 40 x 60 inches Estate stamped and numbered edition 25 with certificate of authent...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

Signed, titled, and dated. American street photographer Don Donaghy (1936 - 2008, b. Philadelphia, Pennsylvania), was a fourth-generation native of Philadelphia. He studied commerci...

Vick Beakstone on 'One Minute to Midnite' by John Stryker is a 10 x 8 inch silver gelatin print. This photograph is signed on print recto in ink and titled in pencil on print verso. Vick Beakstone on 'One Minute to Midnite' by John Stryker features a cowboy riding a bucking horse. Both figures are suspended in the air, creating a calm illusion amidst a chaotic scene. John Stryker was born in Rockford, Illinois, September 1, 1883. He is most remembered for his body of photographs he took of the "Olympic of Western sport"*- the Rodeo. During his lifetime he crossed America, working rodeos as an announcer, a producer, promoter and sometimes a rider. He invented the chute that the animals come out of and he developed new ways of photographing action during an event. Dramatic shots were taken from the ground, propping his camera on the toe of his right boot right next to a bucking bronco. Some historians believe that John Stryker was directly responsible for the growth and sophistication of the sport. His negatives are in the collection of the University of Texas at Permian Basin, Odessa. His photographs have been exhibited during his lifetime at the Buffalo Bill Museum in Cody, Wyoming, and the Amon Carter Museum in Ft. Worth, Texas. His photographs have been published widely including Life, Look, The Cattleman, The Western Horseman, and The Quarter Horse Journal. In 1977, The Rodeo of John Addison Stryker...

Titled and dated in black ink on print margin. Signed, titled, and dated in pencil on print verso. Jack Delano, born Jacob Ovcharov, moved from his native Russian to New York in 192...