Sabine Weiss

Alberto Giacometti dans son Atelier, 1954 (Giacometti in his studio)

ca. 1970

Raphael Soyer Self-portrait, 1980 Lithograph on wove paper Hand-signed by artist, Pencil signed and numbered 7/250 on the front Titled "Self portrait" on the verso Bears publisher's ...

MICHAEL CHILDERS Andy Warhol in his New York studio, 1976 Photographic print Printed in 2007 Signed boldly on the front in black felt tip pen by photographer Michael Childers Frame included: in the original frame as donated by the photographer to the Palm Springs Art Museum This is one of a series of portraits of Andy Warhol by Michael Childers, founding photographer of Warhol's Interview and After Dark magazines, taken in his New York studio and Paris from 1976-1980. This work is signed on the front and framed. It was acquired from the Palm Springs Art Museum, where it was donated by the artist. The verso of the frame bears the works title, original year in felt tip marker, and the artist's studio stamp with copyright of 2007 (year printed) Another example of this work was exhibited at the Palm Springs Art Museum and a different example is part of the Michael Childers collection at the Las Vegas Art Museum Measurements: Artwork (visible): 7 x 9 7/8 inches Frame: 12 x 15 x .4 inches Michael Childers Biography: Since the 1960s, Michael Childers has been photographing famous people...

Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! Accompanied by Certificate of Guarantee issued by the present gallery About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...

Hans Namuth Jasper Johns and Leo Castelli, ca. 1985 Color Photograph Frame included Provenance: from the Marjorie and Anselm Talalay collection, Cleveland, OH. Rare original color p...

The photographer Wolfgang Kühn photographed Alberto Giacometti in November 1963 in his studio in Paris in the 14th arrondissement at the address rue Hippolyte-Maindron. The appointment was arranged by the gallery owner Aimé Maeght. 17 photographs were made. In 1990 copies of them were deposited in the Museum of Modern Art in New York. In 2010, the Center of International Sculpture of the Wilhelm...

The photographer Wolfgang Kühn photographed Alberto Giacometti in November 1963 in his studio in Paris in the 14th arrondissement at the address rue Hippolyte-Maindron. The appointment was arranged by the gallery owner Aimé Maeght. 17 photographs were made. In 1990 copies of them were deposited in the Museum of Modern Art in New York. In 2010, the Center of International Sculpture of the Wilhelm...

Frank Herrmann was sent to the Tate Gallery to take photographs of Alberto Giacometti casting an eye over his 1980's exhibition retrospective, exclusively for the Sunday Times newspa...

Hand signed and numbered by the artist. Etching on wove paper. Lust 185. Published by Galerie Beyeler, Basel. Edition 52/150. Artwork is in overall excellent condition. White spot...