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Betsy KenyonColor Photograph, Celestial, Landscape, Abstract Circular Pink, Limited Edition2025
2025
$1,200
£913.91
€1,052.03
CA$1,719.70
A$1,881.58
CHF 970.89
MX$22,531.70
NOK 12,325.90
SEK 11,548.18
DKK 7,856.51
About the Item
This chromogenic chemical photograph of the sun is mounted onto plexiglass with hanging mechanism on the back. Artist Betsy Kenyon traveled to different parts of the US, using a pinhole camera, film, and her body to draw with the sun. This is a limited edition print #1 of 6.
14" x 11" includes the white border around the image; the image itself is 10" x 10."
Betsy Kenyon uses both her body and a weather-worn pinhole camera to make her Solar Drawings using the sun itself as a drawing tool. Kenyon’s body moves a rotating device to which her pinhole camera is affixed. Her camera is made of wood and bound with electrical tape to protect the film inside. There is no viewfinder and no lens on this camera and exposures are made through a pinhole pierced through a thin sheet of brass. Without a lens, exposure times are considerably longer, allowing Kenyon more time to draw with the sun onto the camera’s film negatives. Her camera is pointed at the sky, we see lens-like shapes in space, the sun as light source, as fire, as a point to circle. The symbol of the circle; eternity, continuity, a cycle.
- Creator:Betsy Kenyon (American)
- Creation Year:2025
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU2132217051862
Betsy Kenyon lives and works in New York City. She received her BA from Sarah Lawrence College in Bronxville, New York, and her MFA from The School of the Art Institute of Chicago. She is a recipient of a City Artist Corps Grant and has been a visual arts resident at Pioneer Works, Lower Manhattan Cultural Center, and Brooklyn Darkroom. She has exhibited in shows internationally and recently had a solo exhibition at The University of North Carolina at Chapel Hill. She will be participating in a group show at the United Nations, opening November 2023. Kenyon’s work is a merging of different processes; it challenges distinctions between 2-dimensional and 3-dimensional experiences, capturing normally imperceptible time events. Using darkroom techniques as her medium, Kenyon blurs established lines between drawing, painting, photography, and sculpture. Each darkroom print is one of a kind, made without a negative. Even though Kenyon’s works are produced chemically in a darkroom, Kenyon refers to them as “darkroom drawings” because they feel less photographic and more drawing-like to her. Her artwork can be found in the following collections: Centre Georges Pompidou, The Art Institute of Chicago, Photography Collection; Museum of Modern Art/Franklin Furnace Book Collection; Whitney Museum of American Art, Library; Metropolitan Museum of Art, Thomas J. Watson Library; Groniger Museum, Special Collections; New York Public Library, Print Collection; and the Yale University, Art and Architecture Library.
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