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Christian HougePuma, Residence of Impermanence series by Christian Houge - Photo, feline2019
2019
$8,110.66
£6,095.50
€6,840
CA$11,358.58
A$12,456.87
CHF 6,453.91
MX$149,679.03
NOK 81,243.29
SEK 76,249.15
DKK 52,123.17
About the Item
Puma, Residence of Impermanence series is a limited-edition photograph by Norwegian artist Christian Houge.
This photograph is sold unframed as a print only. It is available in 2 dimensions:
*90 × 120 cm (35.4 × 47.2 in) edition of 7 copies. Archival pigment print or C-print mounted on dibond.
*126 × 170 cm (49.6 × 66.9 in), edition of 7 copies. C-print mounted on dibond.
All prints are signed and numbered.
Contact us regarding framing options.
The series has received nine nominations for the Prix Pictet Award (2021) and has been showcased in several renowned photography museums, including the Preus Museum (Horten, Norway, 2019), Fotografiska Museum (Stockholm, Sweden, 2019), and the California Museum of Photography (Los Angeles, USA, 2020).
Unveiled in 2019, the series stems from the artist’s long-standing fascination with taxidermy specimens—objects he collected by the dozens over nearly seven years before assigning them new meaning. The project required a lengthy and complex preparation phase involving substantial logistical and technical resources, particularly for transporting and preserving the animals in optimal conditions.
Each photograph draws upon cultural and mythological references through which Christian Houge shapes his vision. By immortalizing the consuming fire, he transforms destruction into liberation, symbolically releasing the animals from their lifeless state into a form of eternal metamorphosis. Both unsettling and mesmerizing, these images convey a quiet victory for creatures facing extinction, set against the backdrop of ornate Victorian tapestries—chosen deliberately to evoke humanity’s historical dominance over nature and other living beings.
With this performative series, Houge deepens his artistic exploration of humanity’s complex relationship with the natural world. “Exploring our relationship and conflict with Nature has been a recurring theme throughout my work over the past twenty years,” he notes. “Residence of Impermanence is undoubtedly the most expressive and thought-provoking yet.”
While all of the artist’s series address these ecological and existential concerns, Residence of Impermanence seeks to heighten awareness. The animals, emblems of the natural world, become powerful aesthetic symbols layered with meaning. These haunting images confront viewers with a paradox: the emotional resonance of seeing these lifeless creatures compels us to question the quiet indifference with which we witness the rapid and almost invisible disappearance of countless species.
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2019
- Dimensions:Height: 35.44 in (90 cm)Width: 47.25 in (120 cm)
- More Editions & Sizes:126 × 170 cm (49.6 × 66.9 in), edition of 7 copiesPrice: $15,368
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117071852
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
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