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Christian StollHemisphere III - large format photograph of abstract liquid cloudscape in water2014
2014
$4,800
£3,609.45
€4,218.44
CA$6,717.21
A$7,542.92
CHF 3,973.83
MX$93,364.63
NOK 49,198.97
SEK 46,839.53
DKK 31,468.49
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About the Item
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere'
Hemisphere III by Christian Stoll
58 x 58 inches (147 x 147cm)
edition of 7
signed
48 x 48 inches (122 x 122cm)
edition of 7
signed
40 x 40 inches (102 x 102cm)
edition of 25
signed
archival fine art pigment print
signed + numbered by artist on certificate label
_________________________
Christian Stoll has experimented with the photography medium since 1991.
His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms, architecture and machines to reveal an interest in technology and human nature’s attempt to organize, construct and transcend our own limitations.
Drawn to utopian architectural locations, grandiose feats of technology, epic scale industry and the building blocks of man-made machinery, Stoll manages to objectify these highly specific subject matters transforming them into objects of desire and beauty.
Christian’s work is informed by a background in classic still life photography, with his meticulously trained eye for details now applied to epic scale objects and location. His latest bodies of work incorporate micro still life camera technology to capture the polar opposite - capturing the beauty of objects of epic scale and utopian architectural locations, while keeping an eye on the details and turning them into intricate objects of desire.
Similar in artistic approach as photographic peer Kim Keever, Christian has been experimenting with capturing the mesmerizing chemical reactions of different substances in reaction with air and/or water.
Stoll was born in 1961 in Arnsberg and lives between Düsseldorf and New York City.
_________________________
Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality.
Custom / larger print sizes available on request
Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]
- Creator:Christian Stoll (1961, German)
- Creation Year:2014
- Dimensions:Height: 58 in (147.32 cm)Width: 58 in (147.32 cm)Depth: 0.03 in (0.77 mm)
- More Editions & Sizes:40 x 40 inches (102 x 102cm) edition of 25 signedPrice: $2,00048 x 48 inches (122 x 122cm) edition of 7 signedPrice: $3,600
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: Edition EKTAlux HEMISPHERE III [XXL]1stDibs: LU24221257093
Christian Stoll
Christian Stoll has experimented with the large format photography medium since 1991. His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms, architecture and machines to reveal an interest in technology and human nature’s attempt to organize, construct and transcend our own limitations. Drawn to utopian architectural locations, grandiose feats of technology, epic scale industry and the building blocks of man-made machinery, Stoll manages to objectify these highly specific subject matters transforming them into objects of desire and beauty. Christian’s work is informed by a background in classic still life photography, with his meticulously trained eye for details now applied to epic scale objects and location. His latest bodies of work incorporate micro still life camera technology to capture the polar opposite - capturing the beauty of objects of epic scale and utopian architectural locations, while keeping an eye on the details and turning them into intricate objects of desire. Stoll was born in 1961 in Arnsberg and lives between Düsseldorf and New York City.
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