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Christian Voigt
Prado II

2015

About the Item

Prado II Madrid, 2015 Available sizes: 123 x 224 cm Edition size: 12 162 x 300 cm Edition size: 5 Light jet, exposure on high glossy paper and aluminum dibond Framed with tulipwood, distance framing, and a UV 99 museum glass. The Museo del Prado in Madrid, known as Prado for short (Spanish for "meadow"), is one of the largest and most important art museums in the world. Originally founded as a Pinacoteca and glyptotheca, the Prado today includes over 5000 drawings, 2000 prints, 1000 coins and medals, and nearly 2000 other art objects. The sculpture collection has more than 700 objects and other fragments. In addition to the world's best collection of Spanish painters, including some of the main works by Velázquez, Dutch masters and works by Botticelli, Caravaggio, Albrecht Dürer and Rembrandt, among others, are also shown. Christian Voigt's Biography: Born in Munich, Germany, Christian Voigt lives and works in Hamburg and The South of France. His current studio is situated in Hamburg. Christian Voigt works with large-format cameras, both digital and analogue. He experiments with new camera techniques and makes the best use of the digital medium. In the museum edition, his large-format pictures can measure as much as eight meters in width. But his strictly limited editions also come in sizes which customers and collectors can hang on walls of more modest sizes. Christian Voigt has developed a language capable of telling new stories. He continually works to refine a pictorial idiom, the stories he wants to tell, the feelings he convey. This is visible in his pictures; Landscape and architecture are his principal areas of interest, but he also does portraits and nudes. The travels associated with his projects and places call for concentration, for the ability to get to grips with people, with their history and their religion. ‘My pictures are created with the camera, not on the computer,’ he says, with a reference to the complicated technology and processing that goes into his creations. ‘But without the computer technology of today, the pictures couldn’t be crafted into their final form.’

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