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Dagmara Weinberg
Composition 606, Floral Fine Art Photography, Printed on Aluminum

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North Shore Aquatics Club
By Neal Slavin
Located in New York, NY
Neal Slavin began photographing group portraits of organizations of people in the early 1970s, and it became a career-long passion. Synchronized swimmers are no doubt among one of th...
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1980s Color Photography

Materials

Archival Pigment

The Stalker (Voyeur Series)
Located in Santa Monica, CA
“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...
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2010s Post-Modern Color Photography

Materials

Inkjet, Archival Pigment

1953 (Colour)
By David Yarrow
Located in Chicago, IL
1953 (Colour) Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Minor Shelter
By Adam Ekberg
Located in New York, NY
This is a photograph by Adam Ekberg offered by CLAMP in New York City. Adam Ekberg (b. 1975, Boston, MA) is an artist whose calculated performances intersect with photography’s docu...
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2010s Contemporary Color Photography

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Archival Pigment

Orchestra East, Section E
By Alex Prager
Located in New York, NY
Edition of 6. Alex Prager creates highly staged, theatrical, and cinematic photographs inspired by a wide range of references and influences—street photography, classic Hollywood c...
Category

2010s Contemporary Figurative Photography

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Archival Pigment

Red Roses Pink Roses Romantic Bouquet of Flowers - Timeless Love by Robert Funk
By Robert Funk
Located in Miami, FL
Hundreds of Red Roses, Pink Roses, and Yellow Roses in stacked blocks flank a 19th Century nude marble statue of a nude young girl. In a sense, the...
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2010s Contemporary Abstract Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

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