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David LevinthalLone Ranger2014
2014
$7,500
£5,613.64
€6,486.63
CA$10,400
A$11,649.34
CHF 6,056.36
MX$143,845.86
NOK 77,153.26
SEK 72,936.40
DKK 48,406.75
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About the Item
Archival pigment print. David Levinthal is a central figure in American postmodern photography. Since 1972, he has photographed dolls and toys in settings that force us to question their apparent innocence. The images are inspired by the romance and grandeur of 1950’s Western television and film. In composing the photographs, Levinthal arranges figurines into stereotypical poses to portray the rugged individualism of the Western hero. The blurred photographs, rich in color, use the iconic toy figurines to create an illusion of reality and motion. The hazy illusions illustrate the blur of fact, fiction and perception surrounding the cultural myths of the American West.
- Creator:David Levinthal (1949, American)
- Creation Year:2014
- Dimensions:Height: 17 in (43.18 cm)Width: 22 in (55.88 cm)Depth: 0.07 in (1.78 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Park City, UT
- Reference Number:1stDibs: LU48331397413
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By David Levinthal
Located in Park City, UT
David Levinthal is a central figure in American postmodern photography. Since 1972, he has photographed dolls and toys in settings that force us to question their apparent innocence....
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DAVID LEVTINTHAL was born in San Francisco and received his MFA in Photography from Yale University. He has had numerous solo and group exhibitions at institutions including the Whit...
Category
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By David Levinthal
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Archival pigment print. David Levinthal is a central figure in American postmodern photography. Since 1972, he has photographed dolls and toys in settings that force us to question their apparent innocence. The images are inspired by the romance and grandeur of 1950’s Western television and film. In composing the photographs, Levinthal arranges figurines into stereotypical poses to portray the rugged individualism of the Western hero. The blurred photographs, rich in color, use the iconic toy figurines...
Category
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By David Levinthal
Located in Park City, UT
Archival pigment print. David Levinthal is a central figure in American postmodern photography. Since 1972, he has photographed dolls and toys in settings that force us to question their apparent innocence. The images are inspired by the romance and grandeur of 1950’s Western television and film. In composing the photographs, Levinthal arranges figurines into stereotypical poses to portray the rugged individualism of the Western hero. The blurred photographs, rich in color, use the iconic toy figurines...
Category
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This body of work is drawn from David Levinthal’s project Blackface, dating from 1995-1998, it featured blackface Polaroids of his original memorabilia, drawn from the artist’s African American Americana personal collection, that are the Polaroid’s subject matter. Levinthal’s collection of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrel, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York.
Levinthal’s initial inspiration for Blackface was D.W.Griffith’s 1915 film “Birth of a Nation,” a groundbreaking film of its time and a watershed moment in the cultural wars. It’s extreme and racist depictions of African Americans fueled a debate over the efficacy and motivation of using racially charged images that continues to reverberate in our culture today. Levinthal’s Blackface was originally intended to be a series based on “Birth of a Nation,” but the focus of the work shifted to the inscription of racially charged identities – what these collectibles convey, how they function within society, and how they continue to polarize social attitudes – within material objects produced and packaged as consumer goods.
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