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David Yarrow
Age Is Just A Number (Color)

2025

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Age Is Just A Number (Color) West Palm Beach, FL - 2025 Standard Edition of 20, 3 AP Unframed 33” x 69” Framed 48" x 84" Large Edition of 20, 3 AP Unframed 50” x 103” Framed 65" x 118" David's Narrative: Age is Just a Number Golf and Wall Street have always been closely connected. Club Memberships are often coveted and require decent salaries and social standing and then the weekend’s golf game can provide levity to dealing room banter on a Monday morning. Meanwhile, Pro-Am charity golf days offer the chance for high rolling stockbrokers and asset managers to spend a few hours with someone they normally only see on a PGA leaderboard. The pros give the Wall Street types some shots, some stories and some tips and everyone goes away happy, with money raised for a good cause. It’s all fairly standard stuff. But this matchup between nine times Major winner - Gary Player - and the infamous Wolf of Wall Street - Jordan Belfort and his entourage - looks a little spicier. For one thing, Mr Player is a man of principle who chooses his company carefully and then Mr Belfort is a competitive man who does not take kindly to be being shown up by a gentleman in his 90th year on the planet; it is not on brand. He wanted to impress the girls and not get his ass kicked. The juxtaposition of these two individuals offered the premise for a photograph that would merit a second look and that is always a good starting point for me. Of course there was only winner on the day. Gary Player is living proof that age is just a number and we are all humbled by his fitness and, of course, his golf game. He is as good a talker as Jordan and better still, most of his stories are child friendly.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2025
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 84 in (213.36 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388316363562

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Age Is Just A Number
By David Yarrow
Located in Chicago, IL
Age Is Just A Number West Palm Beach, FL - 2025 Standard Edition of 20, 3 AP Unframed 33” x 69” Framed 48" x 84" Large Edition of 20, 3 AP Unframed 50” x 103” Framed 65" x 118"...
Category

21st Century and Contemporary Contemporary Black and White Photography

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Archival Pigment

And The Party Never Ends
By David Yarrow
Located in Chicago, IL
And The Party Never Ends Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 64 inches 67 x 91 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Such is the grandeur and scale of Monument Valley that at almost every corner there is something of a sensory overload. The amphitheatre, for all its majesty, also has a sense of incompleteness, as if God the creator got a little bored of building the city and moved on to other projects. The result is an architectural canvas unlike any other in the world. I knew one angle where I could compress distance and fill one of the gaps in this city of monoliths with foreground detail. We had an old VW camper van...
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21st Century and Contemporary Contemporary Color Photography

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Archival Pigment

And The Party Never Ends
By David Yarrow
Located in Chicago, IL
And The Party Never Ends Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 64 inches 67 x 91 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Such is the grandeur and scale of Monument Valley that at almost every corner there is something of a sensory overload. The amphitheatre, for all its majesty, also has a sense of incompleteness, as if God the creator got a little bored of building the city and moved on to other projects. The result is an architectural canvas unlike any other in the world. I knew one angle where I could compress distance and fill one of the gaps in this city of monoliths with foreground detail. We had an old VW camper van...
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21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

I'm Not Fxxing Leaving! (Colour)
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving! Los Angeles, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 35 x 77 inches 47 x 102 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces. In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative. But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category

21st Century and Contemporary Contemporary Color Photography

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Archival Pigment

I'm Not Fxxing Leaving! (Colour)
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving! Los Angeles, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 35 x 77 inches 47 x 102 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces. In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative. But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category

21st Century and Contemporary Contemporary Color Photography

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Archival Pigment

Deuce (Colour)
By David Yarrow
Located in Chicago, IL
Deuce (Colour) Palm Beach, Florida (2025) Archival Pigment Print Edition of 12 Standard Image size: 54" x 37" Framed size: 69" x 52" Large Image size: 81" x 56" Framed size: 96" x 71" David Yarrow's narrative: Deuce There is, of course, a tennis picture from the mid 1970s that adorned the walls of many a teenager’s home or a student’s frat house. Its popularity was not just its cheekiness, but also its simplicity. This was the era of Bjorn Borg and Chris Evert and the sport was very much on the rise in the public’s consciousness. It was the start of an era in which tennis landed an integral role within popular culture and the stars themselves often became sex symbols. Tennis was sexy. When filming our Palm Beach series, I had been given access to a beautiful home on North Country Drive just north of The Breakers. The property faced the Atlantic and the vast verdant lawns stretching to the beach were of Wimbledon standard. Towering palm trees soared to the sky breaking the symmetry and offered a definite sense of place. This was very clearly the ocean front...
Category

21st Century and Contemporary Photography

Materials

Archival Pigment

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