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David Yarrow
No Turning Back, Telluride, Colorado by David Yarrow - Contemporary Photography

2022

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

No Turning Back Telluride, Colorado - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 30" x 69" Framed Size: 45" x 84" Large Image Size: 45" x 103" Framed Size: 60" x 118" Artist Statement: Taylor Sheridan’s acclaimed 1883 offers a fresh take on the bravery of those pioneers that pushed west in the second half of the 19th century. His strong storytelling was played out against majestic scenery and offering a sense of scale was core to the direction. In still photography, the game is the same and in Colorado we had the chance to work in the most stunning of ranches near Telluride. This was in fact the same Schmid Ranch where Tarantino shot ‘The Hateful 8’. - David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2022
  • Dimensions:
    Height: 45 in (114.3 cm)Width: 84 in (213.36 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388314692432

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Go West Young Man Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 67 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "As we search the length and breadth of America for shooting locations, we are drawn to roads that lead the eye but are then halted by something monumental. This formula offers a closed end theatre from which to tell stories. The best urban example of this is perhaps La Salle Street in Chicago, which concludes with the Chicago Board of Trade. It is one of the most iconic views in any American city and, of course, Chicago is the showcase of American architecture. Sam Mendes made full use of this in “The Road to Perdition”. Forrest Gump Point in Monument Valley is the American West at its majestic best and offers the same narrative of a journey’s end, albeit amidst the towering monoliths of Arizona. But perhaps my favourite setting for this box office effect is the old mining town of Telluride resting at 9,000ft in the mountains of southwestern Colorado. I would contend that looking east down Main Street on a clear day is one of the most visually thrilling sights in all of America. There is a timelessness to the street with the grandest and most imposing of backdrops. Of course, Telluride is now a glamorous Ski resort and my instincts were to shoot here in the winter; the mountain pops...
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