Karla Hiraldo Voleau

Yusuke Has Nothing to Say to Anyone

2020

Karla HIRALDO VOLEAU (*1992, French-Dominican) Denichel azul, 2019 Archival pigment print on Hahnemühle Photo-rag paper 52 x 39 cm (20 1/2 x 15 3/8 in.) Edition of 3 plus 2 artist's ...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Haciendo que Julio me mire, 2019 Archival pigment print on Hahnemühle Photo-rag paper 52 x 39 cm (20 1/2 x 15 3/8 in.) Edition of 3 plu...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Toalla en Macao, 2019 Archival pigment print on Hahnemühle Photo-rag paper 80 x 60 cm (31 1/2 x 23 5/8 in.) Edition of 3 plus 2 artist'...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Pierre, 2022 Archival pigment print on Hahnemühle Photo-rag paper 65 x 50 cm (25 5/8 x 19 3/4 in.) Edition of 2 plus 1 artist's proof P...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in Roberta Fineberg's photo series inspired by the poetry of the 13th Century Persian poet...

Madeleine de Proust (Proust's Madeleine), Paris 2021 by Roberta Fineberg is a contemporary photography panorama on cotton rag paper (archival pigment print). The art is 20.5" x 26.5"...

For X-Ray, New York City, 2012 by Roberta Fineberg, the artist uses long-exposure photography and light trails for the color photograph of a woman crossing Park Avenue in New York City. The image shot at night is in the photographer's Cities series. A 20" x 16", signed, titled, dated archival pigment print in an edition of 5. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art...

From the transformative to the ephemeral, the birth and death of a butterfly with a broken wing is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who wrote: ‘Whatever you know, or don’t - only love is real...