Keith Carter b.1948

Lone Pine, color photograph, limited edition, signed and numbered

2021

Illuminated Tree, color photograph, limited edition, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by ...

Swirls, color photograph, limited edition, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los An...

Sunken Weathervane, color photograph, signed and numbered, limited edition Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” b...

Ibis on Clouds, color landscape photograph, limited edition, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordina...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. There is a cinematic style to this artwork, 'Lone Pine', taken in a former movie town in California where many Western films were made. Taken outside Richard's iconic interior photograph 'Bonanza Café', set in the Owens Valley against a mountainous backdrop. This artwork is a limited edition of 25 gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass, signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order. This artwork is available in other sizes and pairs well with Richard's other artworks so be sure to look at our 1stdibs store to see more of his work. “Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival products – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors. Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...

Oaks and storm clouds Size & Edition: 40" x 50” - Edition of 5 + 2 Artist Proofs This photograph will be printed once payment has been received and will ship directly from the prin...

"Plane Into Cloud, AZ" is an original color photograph by Thomas Ferderbar. The artist signed the piece lower right. It depicts an airplane flying towards a large, fluffy cloud. 20 1/4" x 15" image 26" x 21" paper 29" x 24" frame I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar

Ashforth is precise in how she studies her subject, researching color and consistency of ink, paint or drawing medium. Her approach is summed up by Christopher Shore, Master Printer ...