Laurie Tümer

Cloud No. 7281

I'D RATHER LOOK AT CLOUDS "…Here we go alone and like it better so...Now lying recumbent…this incessant making up of shapes and casting them down…this incessant ringing up and dow...

5.3x3.5" Image in a 16x16" Mat CLOUDS “This series began lying in bed lazily photographing the clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los A...

I'D RATHER LOOK AT CLOUDS "…Here we go alone and like it better so...Now lying recumbent…this incessant making up of shapes and casting them down…this incessant ringing up and down of curtains of light and shade, this interminable experiment with gold shafts and blue shadows, with viewing the sun and unveiling it, with making rock ramparts and wafting them away – this endless activity…One should not let this gigantic cinema [of clouds] play perpetually to an empty house…" Virginia Woolf On Being Ill This series began from my bed photographing clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los Alamos National Laboratory. I had just moved to my small studio perched high that I’d cobbled together over several years. My casual cloud gazing immediately became part of a pain-lessening arsenal - and how lucky for me living in an amphitheatre with an unexpected generous subject – a nearly 24-hour a day theater. The title of this series comes from an exchange with a friend about war...

I'D RATHER LOOK AT CLOUDS "…Here we go alone and like it better so...Now lying recumbent…this incessant making up of shapes and casting them down…this incessant ringing up and dow...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 32 inches, sheet 12.75 x 30 inches, image (Edition of 15) 17 x 42 inches, sheet 15 x 40 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Originally trained as a painter, and then working as a collage artist, Marc Yankus began incorporating his own photographs into his artwork around 1999. However, when he did so, it marked a turning point in his career. In many of Yankus’ photographs, textures scanned from old tintypes, books, and other objects are digitally layered on top of the artist’s original images. The superimposition of the old and the new serves as an apt metaphor of Yankus’ wider conceptual interests. Throughout his work, the artist oscillates not only between the old and the new, the past and the present, but also between figuration and landscape. Establishing a rhythm and play between timeless portraits and beautifully still and quiet landscapes and cityscapes, Yankus’ achievement is a wonderful consistency of mood. Hushed, introspective, and at turns even melancholic, this body of work is ultimately a reflection of the artist’s personal past and his passage into the present time. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth, and Alan Hollinghurst, among many others. His images have also been used for theatrical posters for such acclaimed Broadway shows as “Jane Eyre”; August Wilson...

Explore the exclusive limited editions of Tal Paz-Fridman's collection, with each captivating piece available in four select sizes. Limited to just 10 editions each, you can choose f...

Explore the exclusive limited editions of Tal Paz-Fridman's collection, with each captivating piece available in four select sizes. Limited to just 10 editions each, you can choose f...

Explore the exclusive limited editions of Tal Paz-Fridman's collection, with each captivating piece available in four select sizes. Limited to just 10 editions each, you can choose f...