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  • Design Credit: Samantha Todhunter Design Ltd., Photo Credit: Oliver Clarke. Dimensions: H 39 in. x W 26 in.
  • Design Credit: Lucy Harris Studio, Photo Credit: Francesco Bertocci. Dimensions: H 39 in. x W 26 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 39 in. x W 26 in.
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Lependorf and Shire
Horizon Fields LXIV (Abstract Vertical Landscape Photo of Golden Reeds in Water)

2017

About the Item

Horizon Fields LXIV (Abstract Vertical Landscape Photograph of Golden Reeds in Water) by Shelly Lependorf & Stan Shire limited edition archival pigment print 39 x 26 inches unframed This image was photographed at the John Heinz Wildlife Refuge in Philadelphia, PA where the artists reside. Lependorf & Shire explore the many layers naturally occurring in nature in this photograph of golden reeds standing in shallow water. The motif that emerges is similar to that of a basket weave. All images are printed with archival inks on on cotton rag, archival paper. About the work: "The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography." The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair of the Photographic Imaging department at Community College of Philadelphia. He has a BFA degree in Photography and Film from the Philadelphia College of Art (University of the Arts) and a Masters degree in Education from Arcadia University. He has studied with Ansel Adams, Ray K. Metzker, Ron Rosenstock, Bert Monroy and John Paul Caponigro. With Adobe Expert Certification in Photoshop, Stan is the author of “HandsOn Photoshop CS5: Tutorial Workshops.” in print and as an iPad app. His work is in the Mamiya Masters of the Medium Gallery (U.K.), Museo Hollander (Fuengirola, Spain), Blue Cross – Corporate Headquarters, Morgan, Lewis and Bockius, and in other private and corporate collections. Since 2002, Stan has worked in collaboration with painter and printmaker Shelly Lependorf. Their work has been shown in numerous galleries and is represented in many corporate and private collections.

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    Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...
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