Guido Argentini

Maat

2012

Guido Argentini Argentum series SULIS 60 x 152 inches Edition of 1 - Unique Archival Pigment Print FRAMED Limited edition signed print by Guido Argentini. Guido Argentini was born...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Guido Argentini Argentum series DAMARA 40x66in Edition of 7 Archival Pigment Print FRAMED Limited edition signed print by Guido Argentini. Guido Argentini was born in Florence, It...

Guido Argentini Argentum series DAMARA 40 x 80in Edition of 7 Archival Pigment Print FRAMED Limited edition signed print by Guido Argentini. Guido Argentini was born in Florence, ...

Guido Argentini Argentum series SULIS 40 x 80 inches Edition of 7 Archival Pigment Print FRAMED Limited edition signed print by Guido Argentini. Guido Argentini was born in Floren...

Organza dream - Signed limited edition archival pigment print, Edition 2 of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

I am dissolved 4 by Javier Rey Color Archival pigment print Image size: 60 cm H x 43 cm W. Edition of 5 + 2AP Unframed An insipid notion (The astonishing worl...

I Melt #3 by Javier Rey Color Archival pigment print Image size: 60 cm H x 55.5 cm W. Edition 2/5 + 2AP Unframed All prices are quoted as "initial price" and may change due to cur...

I am dissolved #2 by Javier Rey Color Archival pigment print Image size: 60 cm H x 40 cm W. Edition of 5 + 2AP Unframed An insipid notion (The astonishing world) is a collection o...

I am dissolved 1, by Javier Rey Color Archival pigment print Image size: 60 cm H x 43 cm W. Edition of 5 + 2AP Unframed An insipid notion (The astonishing world) is a collection o...