Michael McLaughlin

Newport

2014

Listing is for framing. UNFRAMED print. Inquire within for Any framed photographs purchased during the show will be available after March 1st, 2020. If the exhibition piece is sold ...

Color, Water, Abstract, pool, water, leaves, abstract, green, swimming, vibrant Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In this exhibition, Lance Clayton’s aquatic, figurative photographs contain an attention to detail that leaves the viewer constantly discovering new information within them. His oblique compositions are a profusion of the quirky, the surreal, and the ambiguous, all of which are permeated by a haunting presence. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. The invitational image, “Swim”, is an illustrative shot of a man doing the butterfly stroke, his back to the viewer with arms powerfully extended across the frame, as if to embrace the open, infinite skies above him. The grainy quality of the piece is created using a dark room technique in which tissue is layered upon the photograph, creating an allover ethereal atmosphere reminiscent of Edward Steichen’s early work. Another image, “Rungs”, photographed in Lake Okeechobee, Florida, shows a rusty silver pool ladder descending into a vista of midnight blue water. The highlights and reflections in the water, however, resemble the night sky and thereby disorient the viewer’s perspective. The piece entitled "Kim, Orem, Utah” expresses some of Clayton’s more hauntingly sensual themes. The photograph displays a woman floating in a pool, her darkly lit face above the water and her serpentine body below. The sinister, yet lyrical, mood of the photograph is largely emblematic of the entire collection exhibited. Clayton’s inspiration is primarily grounded in dreams, with references to notable artists such as Diane Arbus, George Hurrell, and Duane Michaels...

Color, Water, Beach, sticks, blur, vignette, color, vibrant, nature, outdoor, wood, contrast, Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the ex...

John Dolan’s photographs revel in the extraordinary that lies beneath everyday, fleeting occurrences. And in this eloquent collection of twenty images shot in ravishing color and bla...

The body, in opposition to this language system and ironically living it, speaks through organs, plays with images, sounds, smells, textures, mixtures, everything reacts, absorbs and...

The body, in opposition to this language system and ironically living it, speaks through organs, plays with images, sounds, smells, textures, mixtures, everything reacts, absorbs and...

The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gesture magnified by the use of sound emerging from the action of kissing and intensified by the working presence of the performer...

The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gestur...