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Richard HeepsCar Boot, Hemsby, Norfolk1998
1998
$546.42
£400
€470.28
CA$749.45
A$842.33
CHF 438.67
MX$10,244.87
NOK 5,613.27
SEK 5,323.03
DKK 3,509.86
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About the Item
Part of Richard Heeps 'Man's Ruin' Series, this fun multi-colour picture has so many iconic nostalgic icons, from Marilyn Monroe, Elvis, vintage Cars & homeware and mid-century design.
This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authenticity.
We can provide framing on request (black or white box (shadow) frame) which including delivery is an additional £375/ $500 .
This artwork can be purchased in bespoke sizes, just get in touch. Be sure to look at his other artworks listed on 1stDibs as they are great paired for interior design projects.
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography without the need for digital manipulation. He runs his own darkrooms in Cambridge (UK) where he hand prints his colour photography. His work has been exhibited in Museums and Public Galleries around England, and he has participated in Art Fairs around the world, and his work is now part of many international collections.
- Creator:Richard Heeps (1965, British)
- Creation Year:1998
- Dimensions:Height: 21.66 in (55 cm)Width: 37.41 in (95 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent. This listing is for a print only. It will be delivered rolled in a box. The gloss photographic print is very fragile, it can easily mark, dent and scratch so once received must be handled carefully, preferably by a professional framer..
- Gallery Location:Cambridge, GB
- Reference Number:1stDibs: LU68933132131
Richard Heeps
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography without the need for digital manipulation. He runs his own darkrooms in Cambridge (UK) where he hand prints his colour photography. His work has been exhibited in Museums and Public Galleries around England, and he has participated in Art Fairs around the world, and his work is now part of many international collections.
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Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2]
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Solo exhibitions
"Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15]
"Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14]
"On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17]
"Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18]
"England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20]
"My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23]
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"Personal Views 1850–1970", British Council touring exhibition, 1970.[3]
"Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14]
"Young British Photographers", Museum of Modern Art (Oxford), 1971.[14]
Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7]
"Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14]
"Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25]
"The Other Britain", National Theatre (London), and touring in Britain, 1982.[26]
"A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14]
"Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28]
"How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30]
"No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31]
"Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32]
"The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26]
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