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Sarah HadleyDaydreams2023
2023
$950
£723.53
€833.97
CA$1,329.04
A$1,493.76
CHF 777.91
MX$18,167.78
NOK 9,954.30
SEK 9,439.61
DKK 6,224.22
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About the Item
Archival pigment print
Hand printed by Sarah Hadley on Canson Baryta Photo paper
From the series In Between Days
Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory.
Hadley's photographs have been exhibited at the Milan Photo Fair (Italy), Fotofever (Paris), the Porto Photo Festival (Portugal), the Lishui Photo Festival (China), PhotoLA, the Worldwide Photography Biennial (Buenos Aires) and the Ballarat Festival (Australia), as well in galleries and museums around the US - most recently in solo exhibitions at the Richard Levy Gallery (Albuquerque), Afterimage Gallery (Dallas), the Griffin Museum of Photography (Boston), the dnj Gallery (Santa Monica), and Fabrik Projects Gallery (LA), as well as in group exhibitions at the Florida Museum of Photographic Arts, Building Bridges Art Exchange (LA) and the Robin Rice Gallery (NY). Her work is held in museums, corporate & private collections, has been published in ELLE Italia, L’Oeil de la Photographie, Photo District News (PDN), The Oxford American, B&W Magazine, Harper’s, SHOTS, Lenscratch and The Sun. In 2020, her first monograph Lost Venice was published by Damiani Editore.
- Creator:
- Creation Year:2023
- Dimensions:Height: 12 in (30.48 cm)Width: 18 in (45.72 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:8 x 12, edition of 10Price: $75012 x 18, edition of 7Price: $95020 x 30, edition of 5Price: $1,60030 x 40, edition of 3Price: $2,600
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU2499213615592
Sarah Hadley
Sarah Hadley is an LA-based photographer who studied photography at Georgetown and Corcoran College of Art in Washington. Her work is held in museums, corporate & private collections worldwide and has been published in ELLE Italia, L’Oeil de la Photographie, Photo District News (PDN), The Oxford American, B&W Magazine, Harper’s, SHOTS, Lenscratch and The Sun.
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By Sarah Hadley
Located in Los Angeles, CA
Archival pigment print
Hand printed by Sarah Hadley on Canson Baryta Photo paper
From the series In Between Days
Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory.
Hadley's photographs have been exhibited at the Milan Photo...
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What I Remember
By Sarah Hadley
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This image is printed in an edition of 7, but comes in larger and smaller sizes. Each image is printed on archival paper, signed and numbered.
Statement:
This image of What I Remember is from Sarah Hadley's series Story Lines, which explores the female interior landscape. The series was inspired by the French New Wave films of the 60’s, which were shot in black and white on the street and which often portrayed the subconscious thoughts and feelings of ordinary women. These photo collages pay homage to the surrealists who first employed the technique of conjoining unrelated images to create startling and thought-provoking connections. Using backdrops...
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Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist.
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
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Located in Los Angeles, CA
A feminine figure casts a shadow on top of a stack of torn photographs. Her side-profile silhouette exudes strength, with her hands on her hips and head held high, through the sharp ...
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Located in Los Angeles, CA
Archival pigment print
Signed and dated by the artist
16 x 20 - edition of 10
20 x 30 - edition of 5
Flickering in the Midday Silver
Beyond the pane
a glimmer,
barely perceived...
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Materials
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Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Figurative Photography
Materials
Photogravure
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