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SIMON PROCTERHigh Line, Spring/ Summer Le Grand Palais Paris, 20062022
2022
About the Item
limited edition of 18 + 2 artist proof
About the artwork:
The show conceptually was really interesting, a central space opened up to reveal the creative team (hair, make up) who helped make it all happen. But for me there was no defining image I could use. This was the first time I decided to rebuild the show almost completely from scratch. Using one single view point I shot the models as they passed. It then took several weeks to position and correct, to give at least some illusion that they were all part of the same image.
- Creator:SIMON PROCTER (1968, British)
- Creation Year:2022
- Dimensions:Height: 55.91 in (142 cm)Width: 122.05 in (310 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1421212948362
SIMON PROCTER
Simon Procter was born in 1968 in Lancashire, Northern England. He studied fine art for many years, originally focusing on both painting and sculpture, and holds a B.A. Honors degree in Fine Art from Trent University, United Kingdom. Procter moved to Paris in the late ‘90s and, while doing a variety of odd jobs in the city, met one of the associates at Visionaire. Thereafter, Procter took up photography and used his unique fine art aesthetic to develop a photographic technique that captures and documents the grand scale of fashion shows and the architectural spaces in which they take place. This synthesis of fashion photography and classical painting distinguishes Procter’s work. His first fashion photography endeavor was shooting a Dior show from 100 feet above the runway. The resulting images were published in two major stories in “V Magazine” and exhibited at Colette, with a sponsorship by both Armani and Prada. He has since produced works for Adidas Y-3, L’Oréal Paris, Christian Dior, Armani, Chanel, and Stella McCartney among others. His photography has been featured in numerous publications including “Vogue Nippon,” “Harper’s Bazaar” and “The New York Times” and has been exhibited in Paris’ Grand Palais, the Moscow Museum of Art and The Museum of Fine Arts, Boston. It was also the subject of a coffee-table book, “Lagerfeld: The Chanel Shows,” published by Rizzoli in 2019.
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