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Stefanie Schneider
Carwash - Contemporary, Landscape, Cityscape, expired, Polaroid, analog, Blue
1999

Name: Carwash - Contemporary, Landscape, Cityscape, expired, Polaroid, analog, Blue
Brand: Stefanie Schneider
Price: 2516.13 AUD
Availability: InStock
Rating: 4.9 (35 reviews)

About the Item

Car Wash (Stranger than Paradise) - 1999 Edition of 10 , 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certificate. Artist inventory Number 396.01. Not mounted. Stefanie is a dedicated artist to the medium of 'expired instant film' and built the worlds best analog darkroom to produce her works from concept to finished work of art. Schneider became the muse to her own medium in 2010 when an admirer bought the last remaining instant film production factory left in the world just before it's destruction, therefore saving the medium from obligation. The full circle complete and it was called Impossible which became Polaroid again. The craft is strong in this one. Stefanie Schneider was born and raised in Cuxhaven, Germany but lives and works in Southern California. Exploring the American dream and capturing it with Polaroid instant film. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters that reflect a part of the narrators life told from her perspective. Often about love, communication. sexuality and relationships. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction yet they also explore the relationship with the medium and the viewer. The wabi sabi 'ness' of Schneider's work can not be denied or ignored. It's a step of acceptance of 'flaws', gaps and distortions. Missing pieces of the puzzle. The artist flaunts, uses and exposes the unknown using expired Polaroid instant film intentionally. Presents it. What you do with that is up to you. That missing part of the picture is for you to include yourself, you fill it in with yourself. That might be critical that it's there at all, missing and missing the entire point all together or by filling in the unknown with their own imagination. Even their own memories which then integrats the viewer and artist as one with limitless potential. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more. FlashART - Sabine Dorothee Lehner (translated from German by Michael Robinson)

Creator:

Stefanie Schneider (1968, German)

Creation Year:

1999

Dimensions:

Height: 22.84 in (58 cm)Width: 22.05 in (56 cm)Depth: 0.04 in (1 mm)

Medium:

Archival Paper,Photographic Paper,C Print,Polaroid

Movement & Style:

Contemporary

Period:

2000-2009

Condition:

Gallery Location:

Morongo Valley, CA

Reference Number:

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Stefanie Schneider
Jersey Views (Stay) - 21st Century, Contemporary, Polaroid, 2006

$21,294 Sale Price

20% Off

Jersey Views (Stay) - 21st Century, Contemporary, Polaroid

By Stefanie Schneider

Located in Morongo Valley, CA

Jersey Views (Stay) - 2006 Edition of 10, 10 pieces 20x20cm each, installed 44x116cm. 10 archival C-Prints, based on 10 Polaroids. Certificate and Signature label. Artist Invent...

Category

Early 2000s Contemporary Landscape Photography

Materials

Photographic Paper, C Print, Color, Polaroid, Archival Paper

Located in Zürich, CH

New York VI - Framed Contemporary Original Polaroid Photograph Like much of Pia Clodi's work, 'New York VI' leaves a trace of the fast, nomadic life she leads. In this instance, C...

Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, Polaroid

Pia Clodi
New York VI - 21st Century Contemporary Original Polaroid Photograph Framed, 2019

$226 Sale Price

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Stefanie Schneider
Carwash - Contemporary, Landscape, Cityscape, expired, Polaroid, analog, Blue
1999

About the Item