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Stéphane Couturier
Sète – Melting Point – Photo #14 – Stéphane Couturier, Architecture, Colour

2018

$21,279.23
£16,021.11
€18,000
CA$29,368.54
A$32,899.25
CHF 17,143.51
MX$401,302.95
NOK 217,854.67
SEK 205,421.43
DKK 137,034.01

About the Item

Stéphane COUTURIER (*1957, France) Sète – Melting Point – Photo #14, 2018 C-print Image 95 x 139.5 cm (37 3/8 x 54 7/8 in.) Sheet 98 x 142.5 cm (38 5/8 x 56 1/8 in.) Edition of 5; Ed. no. 1/5 Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Sète Far from reports as well as postcards, Stéphane Couturier's "hybridisations" reveal a port city that the old people of Sète, who were under the spell, thought they knew. Every year, Images singulières invites a renowned artist to take a look at the city. The styles of each of them - the Swede Anders Petersen (2008) or the Frenchman Richard Dumas (2014) - are immediately recognizable, but they all played the game of photographs taken on site. With the decision to choose Stéphane Couturier (born 1957) for this tenth event in documentary photography, the festival has completely changed its perspective. Unlike his predecessors, the photographer is a "plasticizer", i.e. he does not create reportages, but uses his images taken in the city as raw material, which he reworks and models on the computer. Sometimes to the point of unreality in the manner of a painter. Some of his "photographic paintings" on Sète are reminiscent of Fernand Léger's "Le Grand Tug" (1923) or the very graphic paintings of the Russian Constructivist Alexander Rodchenko from the late 1910s. However, it is impossible to equate his work with modern art. The artist does not make the city abstract. On the contrary, Stéphane Couturier transfigures it, reveals its soul, its past, its hidden face. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Large Format, Building
  • Creator:
  • Creation Year:
    2018
  • Dimensions:
    Height: 38.59 in (98 cm)Width: 56.11 in (142.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zurich, CH
  • Reference Number:
    1stDibs: LU128017227462

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