Andrew Pinkham

Consumed

2016

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. "...

This photograph titled "Leenos The Forgiving - Li Pa Gen Tan Pou Li Rayi" is an original artwork by Shawn Theodore measuring 36"h x 28"w. It is an archival pigment print on Canson Infinity Platine Fibre Rag 310gsm and is part of an edition of 10. This collection debuted at SCOPE Miami Beach Immersive Art Fair 2020. Images from the art fair, which this year occurred in an online format, are included so you may see the full collection by the artist for this solo booth display. Please send us an inquiry or use the "Ask the Seller" button to receive more information about the piece and for pricing for the series. Paradigm Gallery is thrilled to announce the addition of photographer Shawn Theodore to their impressive artist roster. Theodore is an award-winning photographer whose work explores and impacts the trajectory of the collective black consciousness. Theodore has participated in exhibitions at various institutions, galleries, and fairs, including the African American Museum in Philadelphia (2017, 2018), Mennello Museum of American Art (2018), and The Barnes Foundation (2017, 2018, 2019), among others. ________________________________ BIO Shawn Theodore (b. 1970, Germany) is an award-winning photographer whose work opens broad conversations regarding the role of the photographer in the shaping of agency and imagery, engages in new forms of storytelling, and impacts the trajectory of the collective black consciousness. Theodore has participated in exhibitions at various institutions, galleries and fairs, including the African American Museum in Philadelphia (2017, 2018), Mennello Museum of American Art (2018), The Barnes Foundation (2017, 2018, 2019), Steven Kasher Gallery (2018), AIPAD (2018, 2019), Hudson Valley Community College (2018), Catherine Edelman Gallery (2017), The Bakalar & Paine Galleries at MassArt (2017), Snap! Orlando (2018), Richard Beavers Gallery (2018), PRIZM Art Fair, Scope Art Fair, Philadelphia Photo...

Paper size 44&x 35”, Image size 40 x 26.5" Limited Edition of 10 + 2AP’s - £2,500 (only 6 remaining in this size) As part of Herrmann's collection of Abbey Road photos of the Beatl...

Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...