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Pinocchio and Jiminy Cricket, 1940, Lobbycard

1940

This vibrant vintage lobby card from Frankie and Johnny (1966) features the King of Rock and Roll, Elvis Presley, in a lively scene from the musical comedy. Elvis, playing the charac...

"The Magic Voyage of Sinbad" is a classic adventure film from 1953 that tells the legendary tale of Sinbad the Sailor. In this fantastical narrative, Sinbad embarks on a perilous jou...

Original Disney Lobby Card (28 x 35.6 cm) depicting the iconic Festival of Fools scene where Quasimodo is crowned King of Fools by Clopin. A vibrant ...

Original Hungarian lobby card from Walt Disney’s classic Pinocchio (1940). This scene features the character Lampwick with an oversized sandwich stack, moments before his infamous tr...

White Stripes 2022 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists a...

The painting "Summer storm over the beautiful Danube" is a combination of the author's photograph of the statue of Johan Strauss' son, taken in Vienna, c...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Yoshinori MIZUTANI (*1987, Japan) Moonlight 07, 2014 Archival pigment print on Hahnemuhle Fine Art Baryta paper 84 x 63 cm (33 1/8 x 24 3/4 in.) Edition of 4 plus 2 artist's proofs print only Yoshinori Mizutani's (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography. Mizutani graduated from the Tokyo College of Photography in 2012. He has won a number of prestigious awards including Japan Photo Award in 2013 as well as Foam Talent Call and Lens Culture Emerging Talents Top 50 in 2014. His series Tokyo Parrots was on view at this years Bienne Festival of Photography in Bienne/Switzerland. His foray into photography is fairly recent, he started 5 years ago. Nonetheless, his photographs do demonstrate an innate understanding of how forms, colours, textures and depth translate to the pictoral plane. He is working with a visual vocabulary that has been well established by the work of many photographers active today. Mizutani’s work serves as a good gauge of the visual tropes and photographic styles that are prevalent among young photographers in Tokyo. „The themes of my work are the everyday and the familiar. What is familiar to me, however, could be new to the viewer. It could also be revelatory or something previously overlooked. It is the viewers’ varied responses to and interpretations of images, which makes photography interesting." – Yoshinori Mizutani About Moonlight: Using strobe light...