Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

David Yarrow
The White Lady (Colour) by David Yarrow

2025

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

The White Lady (Colour) by David Yarrow Jackson Hole, Wyoming – 2025 Archival Pigment Print Also Available in B&W. Standard Edition of 12, 3 AP, 1 EP Image Size: 37” x 45” in (94 cm × 114.5 cm) Framed Image: 52" x 60" in (132 cm × 152.5 cm) Large Edition of 12, 3 AP, 1 EP Image Size: 56” x 68” in (142 cm × 173 cm) Framed Image: 71" x 83" in (180.5 cm × 211 cm) Price includes David Yarrow's custom black ash frame with white linen archival mat and UV protective acrylic. David Yarrow's narrative for "The White Lady": “There is not much I would change with this photograph – it all came together in cold winter light looking out to the much-loved Mount Moran in Grand Teton National Park. I am not the first photographer to be drawn to the almost perfect symmetry and grandeur of this 12,000-foot-tall mountain and I won’t be the last. The foreground had to have some punch and I think the combination of Josie Canseco and her travel companion in a 1953 Ferrari pushes a few boundaries. There is much to look at. It was, however, the weather that made the shot. I needed fresh snow and a clear morning sky; without one or the other, there was no picture to be taken. The light becomes increasingly less kind on a sunny day and we knew that it would all be over by 8 am at the latest. The window of opportunity is less than 30 minutes. During our week in Jackson, we had low sky and suboptimal light for 95% of the time. But we had one morning of clear sky and we took our chance. It was luck really, but I think we leveraged what we were given and that ultimately is the acid test. This image is now in the bag forever and that’s something to celebrate. For those with a visual sensibility, The Tetons set a high bar; there is no mountain range in the Americas I would prefer as a backdrop and the Snake River Valley below offers so much opportunity to build stories. It is an amphitheater that demands a filmmaker’s A game – to be mundane or vanilla would be embarrassing.“ -David Yarrow Provenance: From the collection of the artist.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2025
  • Dimensions:
    Height: 37 in (93.98 cm)Width: 45 in (114.3 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388317294112

More From This Seller

View All
The White Lady (B&W) by David Yarrow
By David Yarrow
Located in Chicago, IL
The White Lady (B&W) by David Yarrow Jackson Hole, Wyoming – 2025 Archival Pigment Print Also Available in Colour. Standard Edition of 12, 3 AP, 1 EP Image Size: 37” x 45” in ...
Category

21st Century and Contemporary Photography

Materials

Archival Pigment

1953 (Colour)
By David Yarrow
Located in Chicago, IL
1953 (Colour) Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

A Winter Journey (Colour) by David Yarrow
By David Yarrow
Located in Chicago, IL
A Winter Journey (Colour) Sylte, Norway – 2025 Archival Pigment Print Also Available in B&W. Standard Edition of 12, 3 APs, 1 EP Image size: 37” x 41” in (94 cm × 104 cm) Framed s...
Category

21st Century and Contemporary Photography

Materials

Archival Pigment

The Lady of the Lake (Colour) by David Yarrow
By David Yarrow
Located in Chicago, IL
The Lady of the Lake (Colour) by David Yarrow Eresfjord, Norway – 2025 Archival Pigment Print Also Available in B&W. Standard Edition of 12, 3 AP, 1 EP Image Size: 35” x 69” i...
Category

21st Century and Contemporary Photography

Materials

Archival Pigment

Testarossa (Colour) - David Yarrow
By David Yarrow
Located in Chicago, IL
Testarossa (Colour) Monument Valley, Utah - 2023 Also available in B&W. LARGE Edition of 12, 3 APs, 1 EP 56” x 65” Unframed 71” x 80” Framed STANDARD Edition of 12, 3 APs, 1 EP 3...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

1953
By David Yarrow
Located in Chicago, IL
1953 Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

1953
Price Upon Request

You May Also Like

Testarossa (Colour)
By David Yarrow
Located in Los Angeles, CA
Available in the following sizes: 52 x 58 inches, Edition of 12 71 x 80 inches, Edition of 12 “We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field. However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

'Testarossa' - model and wolf in a ferrari, fine art photography, 2023
By David Yarrow
Located in Vienna, AT
All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifica...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Last Christmas - Model and Wolf in an Aston Martin, Fine Art Photography, 2024
By David Yarrow
Located in Vienna, AT
Black and White Image of an oldtimer Aston Martin with a beautiful woman driving and a Wolf on the passenger Seat, photographed by David Yarrow in 2024. All prints are limited editio...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Testarossa
By David Yarrow
Located in Los Angeles, CA
David Yarrow Testarossa, 2023 Signed and numbered by the artist Archival Pigment Print, framed 52 x 58 inches, Edition of 12 71 x 80 inches, Edition of 12 “We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field. However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump...
Category

2010s Contemporary Photography

Materials

Archival Pigment

Code Red
By David Yarrow
Located in Los Angeles, CA
Available in the following sizes: 52 x 62 inches, Edition of 12 71 x 85 inches, Edition of 12 “The railroad and mining community of Minturn – which dates to the 1880s - allows for...
Category

2010s Contemporary Photography

Materials

Archival Pigment

Code Red
Price Upon Request
Skyfall in Color, Fine Art Photography 2025
By David Yarrow
Located in Vienna, AT
A woman standing near a sportscar in classical Scottish attire was photographed by David Yarrow in 2025. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. This stunning image by David Yarrow captures a dramatic, cinematic moment set against the rugged and breathtaking landscape of the Scottish Highlands. At the center of the composition is a silver Aston Martin DB5, an iconic vehicle synonymous with James Bond, parked on a remote, weathered road. The car’s sleek elegance contrasts with the raw, untamed surroundings, reinforcing the sense of adventure and espionage. To the left, a striking female figure is seen from behind, leaning on the car with one hand, while holding a small pistol in the other. She is dressed in a tweed blazer, a matching cap, and knee-high green boots, with bare legs adding a bold, provocative element. Her presence exudes power and intrigue, reminiscent of a classic Bond femme fatale. On the right side, a red British telephone booth...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment