Ashok Sinha

Be My Valentine

2016

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts what remains of the of the Sam Goody entrance at the deserted Wayne Hills Mall, in Wayne, New Jersey. The prominent sign to the entrance of the mall, has been removed yet, there is still the vaguely visible lettering on the grand entrance to the closed retailer. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

24"x30" photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph has a kaleidoscope feel in the geometric pattern of blue clouded sky tiles and salmon coral diamond paneling. It captures the view of the open panel ceiling of the atrium in the abandoned Wayne Hills Mall...

24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills Mall, in Wayne, New Jersey. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

This elegant underwater photograph captures a ballet dancer in pointe shoes and flowing white tutu, suspended in deep teal waters. The rich contrast between the pristine white costume and the moody blue-green aquatic environment creates a dreamlike atmosphere. Sher's composition bridges classical dance and contemporary underwater photography, exploring themes of grace transcending physical boundaries. The work continues the tradition of fine art photography that documents performance art in unexpected contexts, transforming the familiar ballet pose into a surreal meditation on weightlessness and artistic expression beneath the surface. "Four years ago I wrecked my sailboat and was selfmedicating with vodka at a Russian restaurant when I suddenly noticed a cute girl hanging from the ceiling right above my glass. She was not only beautiful, she was a dancer too, and she agreed to model for me underwater. Two days later, if you stopped by my pool you’d see a fully dressed ballerina with her hands underwater and me wriggling at the bottom around her dance e shoes. I kept asking her to tie and untie her pointe hypnotized by the small hands entwined in ribbons and light. I took quite a few pictures that day. This one is my favorite." Alex Sher Original gallery quality archival pigment print on archival paper signed by the artist. Limited edition of 24 Paper size: 18x24" Image size 17.2x23.5" Publications: 2024 🇷🇴 VOUS ROMANIA (Bucharest, Romania) 2022 🇺🇸 Redwood Art...

The Road of the Wind Archival Pigment Print Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with...

Walking Archival Pigment Print Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proo...

Traveling Archival Pigment print Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proofs Artist's poem on "Traveling" I think of my heart and what it loves, of blood flowing in my veins, my life buried under the snow of absence, loss that tastes of a city, an extension of the map burning itself, the map of childhood drawing figures on torn paper, destroyed walls and charred furniture...