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David YarrowRear View Mirror - Ferrari between high walls of snow, Fine Art Photography 20242024
2024
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Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Black and White Image of an oldtimer Ferrari between high walls of Snow, a black wolf watching from above, photographed by David Yarrow in 2024.
All prints are limited edition. Available in multiple sizes. High-end framing on request.
All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery.
The rawness of North American nature, beautiful old cars, and even more beautiful women are David Yarrow's tools to create his stunning imagery and tell stories, taking the viewer through time and space. Tall snow berms like the ones in this photograph are not easy to find these days. 'Rear View Mirror' was taken at Lake Tahoe in late April. The Sierra Nevada
Mountain range still gets hefty 3-foot snowfalls in March; perhaps as much as any ski area in the world. The beautiful 1953 250MM Ferrari in the center of the image fits perfectly between the walls of snow towering above it. A Model in a hat and sunglasses sits in the car, seemingly unphased by the cold. A sense of coolness radiates off her. In the background, a black wolf is standing on top of the wall of snow, looking directly at the camera.
David Yarrow is a British fine art photographer and one of the world's most spectacular and best-selling nature photographers. Visual storytelling is his craft, and large-format monochrome prints are his medium. Through elaborately staged settings, Yarrow conjures the magic of the great American history, from the Wild West to Route 66. In his wildlife photography, he captures the planet's beauty. Majestic lions, sleek panthers, and free-roaming buffalos populate his works, trumped only by the female bombshells Yarrow places beside them. While highlighting the untamed side of supermodels such as Cara Delevingne or Cindy Crawford, Yarrow portrays the wild beasts in the most human way possible.
PREISS FINE ARTS is one of the most successful galleries on the international art market and is responsible for the increasing importance of fine art photography. Representing only the most prestigious artists, our portfolio provides a substantial overview of the contemporary fine art scene for ten years and counting.
PREISS FINE ARTS takes care of its exclusive collectors from all over the world in a highly professional and individual way, meeting the demands of people interested in art. Each artwork is handcrafted and signed by the artist in a strictly limited edition. We deliver worldwide and work with the best service providers regarding framing and delivery.
- Creator:David Yarrow (1966, Scottish)
- Creation Year:2024
- Dimensions:Height: 40 in (101.6 cm)Width: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Vienna, AT
- Reference Number:1stDibs: LU19314352402
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
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"Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum.
The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance.
What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur.
There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range.
We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe.
Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
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Archival Pigment
Price Upon Request
1953
By David Yarrow
Located in Chicago, IL
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Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 58" Unframed
52" x 73" Framed
Edition of 12
Large
56" x 87" Unframed
71" x 102" Framed
Edition of 12
"Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum.
The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance.
What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur.
There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range.
We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe.
Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
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21st Century and Contemporary Contemporary Black and White Photography
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Archival Pigment
Price Upon Request