Pigment Figurative Photography

'Dining In The Bahamas' A waiter carrying a tray of food walks past a woman walking away from a swimming pool which is surrounded by tables, each with a parasol to shade the diners...

Carrie Mae Weems In the Halls of Justice Edition 3/25 Limited edition Signature Signed, verso Steeped in African American history, Carrie Mae Weems makes alternately searing and te...

Culinary Heights Courchevel restaurant chefs Jean Jacob (left) of ‘Le Bateau Ivre’, Michel Rochedy (centre) of ‘Le Chabichou’, and Albert Parveaux of ‘Pralong 2000’, Courchevel, Fra...

Lake Tahoe Ladies, 1959 Archival pigment print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A group of...

Concorde - Limited edition pigment print - Limited Editions of 5 Paris under the snow, France, 2005 Signed + numbered by artist with certificate of authenticity. Archival pigme...

Signed by Jesse Alexander in black ink on print margin. Titled in black ink and misc. notation in pencil on print verso. Archival pigment print Paper size: 17 x 22 in., Image size: 1...

"WA5" Figurative Photography 84" x 40" inch Edition 2/10 by Giuliano Bekor Print size 84x40 Inches trim bleed Artwork finished size 88x44 Inches Limited edition 2 of 10 Artist proof 2 Medium: This artwork printed on a highest resolution fine art exhibition Giclee heavyweight paper Printed with saturation finish. Not framed. Ships in tube. WILD ABOVE series Like anthropomorphic visions, animals come to life on the canvas of the human form. Light and shadow interact mysteriously, bathing contours of muscle tone. Bold projections of animal skins, tails, beaks and eyes cut through the darkness of each frame in high drama, positioned to articulate the merging of human and animal forms. Contrast and an almost spotlight effect connect the hunter and hunted and explore the relationship between man and nature. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery Sofitel Hotel Beverly Hills CA; 2019 - February Modernismo Hôtel Plaza Athénée...

Signed in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 22 x 17 in., Image size: 15 x 15 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith...

Signed in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 22 x 17 in., Image size: 15 x 15 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith...

David’s singular photographic vision merges with Rice’s evocative yet alluring multi-room space to envelop your senses, providing a moment to reconsider what a gallery can look and f...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. Abstract, Black and White, Anchor, Cold Spring...

A solitary galloping horse is captured in silhouette against a blue mountainous landscape. This archival color photograph by fine art photographer Mitchell Funk is signed, numbered ...

Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 52 years ago in 1969, it was qu...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

A bold Black Liberation Army banner is featured among drummers and hippies in a 1971 Central Park protest. We see a rudimentary Super 8 video camera recording it all in the lower le...

This elephant portrait was done on assignment for Life Magazine. It was for a story about a group of three elephants who stomped to death their trainer. In an attempt to save the ele...

Black and white photography.

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Print is available in sizes from small to mural. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Inside the gallery, the viewer is surrounded by an arresting display of glamour in the wild. Drawing inspiration from classical paintings and geometric forms, Greg Lotus' work has been compared to Herb Ritts, Man Ray and Richard Avedon, and his exhibition fuses his high fashion background with the rural environment of his youth. Yet Lotus admits to no formal training throughout his career, "I'm completely self-taught, lots of trial and error over the years." His foray into fashion photography was a twist of fate. In the 90s he was sharing living quarters with young models, and began photographing them to help them build their portfolios—work that eventually brought his work to the attention of agencies. When it comes to his own models, Lotus prefers the "unspoiled" types, holding castings to find those with quirk as well as beauty. "Over time, most artists develop their own palette and look using color and light in a very personal way. I express my own aesthetic sense which is what makes my work recognizable, regardless of subject or setting." "Swimmer Cap," is an example of Lotus' signature pop of color. Here, a cast of sinewy models convene in a locker room; their candy-colored swim caps give the piece its surreal, dreamlike quality. In the invitation piece, "Nurses" beauties in black bathing suits pop against a light background while being hosed down by a nurse. "You can almost feel the spray and hear the whoosh under the miniskirt," says Lotus. Besides the visual play on light and dark, he says water is the linking element that turns the piece theatrical and makes it breathe. Greg Lotus was born in 1967 in rural West Virginia. He shot in Paris and New York City before settling in Miami to pursue his craft. After landing his first major job in Europe, Lotus interviewed with the editor of Italian Vogue, Franca Sozzani...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Faye Dunaway, 1968 archival pigment print 20 x 16 inches edition of 9

Red Lips at the Paris Cafe, 1987 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed an...

Red Shoes and a Bulldog, 1991 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed and n...

David Pugh “Untitled” (from Body Series), 2018 Year: 2019 Archival Inkjet Print on Museo Silver Rag Dimensions: 20 x 15 inches Unframed David Pugh’s photographic work tends to pull ...