2010s Figurative Photography

Nick Vedros Carhenge Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided Re...

Nick Vedros DC III Plane Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8.5x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provi...

Nick Vedros Afghan Haircut Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x8.5in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Smart Caveman Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provi...

Nick Vedros Prickly Couch Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 15 Signed, dated and numbered by hand...

Nick Vedros Peeping Gnomes Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Montreal I Digital C-Print / Archival Pigment Print Available sizes: 40 x 60 in - Edition of 10 60 x 90 in - Edition of 5 Since its inception, Lusztyk’s Interchanges project has tak...

Photography on paper

C-Print. Unsigned but comes with a CoA. Edition of 10 plus 2AP.

Edition of 3 Mounted on Plexiglas Framed Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of the very best and most distinctive albums in music history...

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes. Whether standing in a state of intent tranquility in the foreground of a forest, or captured mid‐action during diving or archery, John imparts a sense of security through his physique and determined mien. Also conveyed is an air of intrigue stemming from his body, which is often concealed by shadow or wreathed in haze. Examples of masterful composition, Churilla's black‐and‐white images fully demonstrate the pacifying effect of nature on the male figure. The invitational piece, Silence represents Churilla's overall vision for this exhibition, featuring John facing away from the camera while standing in the shallows in a mist covered lake. Staring into the distance with his body in graceful repose, he appears lost in and enveloped by his surroundings, eliciting the romantic feeling of limitlessness and a sense of peace. The style in which Churilla captures John is reminiscent of the figurative nudes produced by photographers like Jock Sturges or Sally Mann. This exhibition is composed of eleven large-format pieces which range from 30" x 40" to 60" x 40". Eight photographs centered on John are accompanied by three abstract landscape pieces that capture the Adirondacks in all its otherworldly beauty. In one of these, White Mist, one stumbles into a world of beautifully muted color tones­, in which a nearly impenetrable mist surrounds a lake. This photograph serves to highlight stillness of water, which Churilla herself regards as healing and thought inducing. Churilla first gained her appreciation of the Adirondacks while working as an assistant to the legendary photographer Bruce Weber in his 1990 series Bear Pond. Since studying as Weber's protégé for nearly a decade, Churilla's own work has been acclaimed by such publications as American Photo and Harper's Bazaar, in which she has been lauded as a promising female photographer. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

They Suddenly Appeared (Naiades Series 1) 2023 Unique Archival pigment 100 x 100 cm Edition of 1 Signed, titled and dated on verso Lee Wells (b.1971) is a conceptual artist whose ...

Gummy Bear Green Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24 x 18 in 36 x 24 in 48 x 36 in Refine Sugar Collection. This photograph will be p...

Canada Mushroom 38 x 4 Digital C-Print / Archival Pigment Print Edition of 20 per size Available sizes: 48 x 36 “Collectible” series is a macro level exploration of coins, bills and...

Canada 38 Mushroom (Red) Digital C-Print / Archival Pigment Print Edition of 20 per size Available sizes: 36 x 27 “Collectible” series is a macro level exploration of coins, bills ...

Ramones Digital C-Print / Archival Pigment Print Available sizes: 24 x 16 - Edition of 20 36 x 24 - Edition of 5 48 x 36 - Edition of 5 60 x 48 - Edition of 5 “Collectible” series i...

Walking on Water 1 (Naiades Series 1) 2023 Archival pigment on canvas 100 x 100 cm / 39.25 x 39.25 inches Signed, titled and dated on verso and comes with optional NFT Certificate ...

There Were Rumors Going Around the Pool (Naiades Series 1) 2023 Unique archival pigment 100 x 100 cm Edition of 1 Signed, titled and dated on verso Lee Wells (b.1971) is a conceptu...

The Infinite Conversation after Maurice Blanchet 2023 Archival pigment on canvas 100 x 100 cm Signed, titled and dated on verso Edition of 1 Lee Wells (b.1971) is a conceptual arti...

Semi Gloss Paper 325 g Edition of 5 Emil Farber is an Israeli filmmaker and photographer born in 1997 who lives and works in Berlin, Germany. He loves capturing street scenes and di...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Semi Gloss Paper 325 g Edition of 5 Emil Farber is an Israeli filmmaker and photographer born in 1997 who lives and works in Berlin, Germany. He loves capturing street scenes and di...

Archival photographic print on Epson luster. Edition of 10 plus 2 AP. Other sizes available through bG Gallery.

Title: The Great Homecoming at the Fort Worth Stockyards Available Sizes: 30" x 37.5" - Edition of 15 40" x 50" - Edition of 10 48" x 60" - Edition of 5 This photograph will be...

Series: Places Digital C-Print on Archival Photographic Paper Available sizes: 32" x 32", Edition of 15 40" x 40", Edition of 10 48" x 48", Edition of 5 Few photographers in the wo...

Semi Gloss Paper 325 g Edition of 5 Emil Farber is an Israeli filmmaker and photographer born in 1997 who lives and works in Berlin, Germany. He loves capturing street scenes and di...

Semi Gloss Paper 325 g Edition of 5 Emil Farber is an Israeli filmmaker and photographer born in 1997 who lives and works in Berlin, Germany. He loves capturing street scenes and di...

Aluminum print

Miles ALDRIDGE (*1964, Great Britain) Chromo Thriller #3, 2012 Chromogenic print Image 141 x 190,5 cm (55 1/2 x 75 in.) Sheet 157 x 206,5 cm (61 3/4 x 81 1/4 in.) Edition of 6, plus...

Patrick Chelli invents collections of photographs from different points of view, looking at the viewer at the back. In his new series, spectators are captured in galleries as they wa...

Edition of 6, 30x39 in edition of 10 also available. — AP of 6.0 Man getting splashed is Schude. Was taken at his Craftsman house in South Pasadena. His Jaguar is in the background,...

Original photograph numbered out of 25 This striking piece of art represents a stylized X-ray of an iconic superhero character. The artist creates a striking contrast between the ...

Photograph of the Archivo general de Indias, in Sevilla, Spain by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, t...

Flowered Umbrella by Denny Haskew Figurative Photographic Print 26x16" Framed in Black A woman photographed behind a waterwall taken during one of the artist's travels. ABOUT THE ...

Copycat by Patty Carroll is a photograph depicting a black and white cat themed interior, with a woman reclining on the couch surrounded by cat figurines. Archival Pigment Print Pa...

Golden Girl 3 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered...

Female centric archival pigment print. B/W. About the artist: For over 50 years, photography has been his medium of artistic exploration, shaped by a career that spans decades ....

Archival Pigment Print - UNFRAMED 27 x 40 inches - edition of 15 40 x 60 inches - edition of 10 48 x 72 inches - edition of 5 Ask us for custom framing options. CHROMA presents...

Edition of 5 Mounted in Plexiglas Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of...

Poolside Party #33 (Naiades Series 1) 2023 Archival pigment on canvas 60 x 60 cm / 24 x 24 inches Edition of 5 Signed, titled and dated on verso Lee Wells (b.1971) is a conceptual ...

Signed, dated and numbered '1/12' on the verso. On Hahnemühle bright white. Inspired by 'Quince, Cabbage, Melon and Cucumber' of Juan Sánchez Cotán, with humour, this photo explores...

This photograph has a total limited edition of 30 and can be printed in a variety of sizes. This listing is for a framed print 20 by 13.25 inches - unframed print 29 by 23 inches -...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be aft...

Female centric archival pigment print. Silhouette. B/w. About the artist: For over 50 years, photography has been his medium of artistic exploration, shaped by a career that s...

"Baïkal 5", colour photograph of a snowy landscape with a tree alone, by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in...

Edition of 3 Mounted on Plexiglas Framed Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates ...

Red Sign in Toronto of coffee shop. Original Photograph by Cindi Emond. Hand signed. Excellent condition.

Photographic paper, matt finish. Excellent condition.

Photograpic Paper, Matt Pearl Finish

Flowers shot in low key style printed on Epson Premium Semimatte photographic paper. Excellent condition.

Photograph of the Freie Universität Library in Berlin by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, then shipp...

"Laponie, Suede Lofoten", colour photograph by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in Paris for 20 years. Most of Mikael Lafontan's work covers and explores northern landscapes: Scandinavia, Scotland, Canada or Iceland. French by his father, Swedish by his mother and living in France, Nordic countries...

Photography on paper

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Palazzo Martelli 2009 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum Framing options available 39.5 x 47.5 inches edition of 5 4...

"Cathedral Cove", colour photograph of a forest landscape by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in Paris for 2...