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Stefanie SchneiderMemories of Love - 21st Century, Polaroid, Figurative, Women, Color2013
2013
About the Item
'Memories of Love' (The Girl behind the White Picket Fence) - 2013
50x50cm.
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and signature label.
Artist Inventory Number 16507.
Not mounted.
featuring Heather Megan Christie
Offered is a piece from the movie: The Girl behind the White Picket Fence
An artist’s world of movie stills, 'The Girl Behind the White Picket Fence' is a succession of Polaroid film stills. One after another, this film takes this to the limit and still delivers. Sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. The gaps keep the viewer paying close attention. But this is no Instagram lark; this is real analog Polaroid film. This is a one off, a complete window into the artist’s mind as she sees the world. Sunny, hot, in love, open spaces evoking freedom but also banishment.
-filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine)
"My dream of accepting so called 'imperfection' is in fact a realizing of a different world view. Formally, my work was called blurry or broken but they fail in the test of acceptance that all things are imperfect. It's a seismic shift for some but in this age where the cracks are no longer hidden, the affirmation of reality is still difficult. The celebration of imperfection reconnects us to the real world where we normally mask our flaws.
I chose Polaroid film because it portrays color like candy making even the broken an expression of endearment. The combination of the color and the blemishes of expired Polaroid analog film gave me a sense of inner peace with my surroundings. It just fit. Nothing had portrayed my vision so symbolically. "The film schools I went to scoffed at my discovery blinded by the very imperfections that expressed my passion and love.
The quirks, oddities or the perfectly imperfect uniqueness of my work relate to our own life blemishes and somehow make them ok or even remarkable. Honoring that value of imperfection makes it permissible to be. At least for me...
I plan engagements in spontaneity for any new project or photoshoot. Allowing space and time for the magic moment to manifest and capturing that enchantment. I use my senses and current affairs to plot that path of serendipity especially when it's a mark of turbulence. The upheaval of balance is the key for chance and allows all unknown forces to contribute to the moment. I look inside myself, ground that emotion and imagine it in a dream because dreams are the foundation of emotion and the link to our sub-conscience. I try to clarify my nightly dreams subjectively with a cup of nostalgia in a bowl of emotions and sprinkle it generously with sex. It is there, the fountain of our instincts."
Stefanie Schneider
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2013
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:Seller: STSCH #0101stDibs: LU652310452312
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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