Alley Figurative Photography

Ancient views of Shanghai is a set of two original vintage albumen prints on single cardboard: 34 x 26 cm. The Image on the rear 21.5 x 27 c...

Paris Scooter from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 150 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

'Hutong' photographed in China in 2013. Richard is well known for capturing places on the brink of change before they disappear and this is a classic example, the modernisation of Be...

Pete Townshend Soho Pete Townshend in a Soho backstreet London, 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 in...

Portico D'Ottavia, Rome is a black and white vintage photo, realized in 1950s., by Gastone Proietti . The photo depicts the picturesque square behind the "Portico D'Ottavia" in Rome...

Tokyo is a photograph taken by Amanda Ludovisi in 2019. It represents a street in a rainy evening in the center of Tokyo. This is a giclée print on Ca...

Old days Photo - Castle Way is a black and white vintage photo, realized in the 1960s. Good conditions and aged. It belongs to a historical and Nostalgic album including historical...

Ancient Views of Guatemala City is a set of two original albumen prints made in 1880s. Prints in very good condition, applied on a single cardboard. Caption in Italian ink hand-wri...

War in Algeria is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and political events, meticu...

View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century.With the hand-note in pencil on the rear. Goo...

Ancient View Conception - Calle Comercio - Chile is a an albumen print realized by an unknown photographer in the 1880s. Print in very good condition, applied on a single cardboard....

Sports Car Couple 1955 Slim Aarons Estate Edition John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAu...

'Bottle Crate Load' 1984 by Alain Le Garsmeur Limited Edition Archival Pigment Print Immigrant children from Cape Verde carrying bottle crates, Lisbon,...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

'San Francisco Escapes' by Alain Le Garsmeur Limited Edition Archival Pigment Print A man walks under fire escapes on the streets of San Francisco, California, 1979. Paper size : 40 x 30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1970s 1970 70 USA building structure construction homes houses hill walk clones street lane alley way...

'Chengdu City Life' 1985 by Alain Le Garsmeur Limited Edition Archival Pigment Print Family life in one of the many crowded Chengdu City alleyways, Suchuan Province, Southwest China...

'Burhop's Seafood' 1979 by Alain Le Garsmeur Limited Edition Archival Pigment Print A mural advertising Burhop’s Fish and Seafood Retail adorns a building in Chicago, Illinois, USA, 1979. Paper size : 10 x 12 inches / 25 x 30 cm Limited edition Edition Size 25 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1970s 1970 70s Seafood Chicago Graffiti Wall Art...

The Market- Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

Run - 2018, Edition 1/10 plus 2 Artist Proof, 50x50cm. Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. Ariel Shelleg ...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1, Printed Later. His passenger is Margaret McAulay. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Vintage Sport, Vintage Car photography, Sports Car Photography

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1, Printed Later. His passenger is Margaret McAulay. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Vintage Sport, Vintage Car photography, Sports Car Photography

The Campidoglio is a black and white vintage photo, realized in second half 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including histori...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Compli...

Kendal city is a black and white vintage photo, realized in september 1959 by E.W. Tattersall. Good conditions and aged. The photo depicts the Stricklandgate, the main street of th...

Old days Photo - Burg is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including histo...

Historical Photo is a  vintage photo, realized in the Early 20th Century . The artwork is a well-balanced composition.

Rome Historical photo in black and white vintage photo, realized in the 1930s. It belongs to historical album including photo of historical events and places, all meticulously captur...

Italian Architecture is a Historical Photo in black and white realized in the early 20th Century.. It belongs to historical album including photo of historical events and places, all...

Historical Photo of Prison  is a vintage black and white photograph realized in the 1960s. Good conditions.

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay Estate stamped and hand numbered edition of 150...

Lifting Machine- American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. ...

Vintage black and white photo of the typical streets in Rome city centre, in particular it is taken from Via dei Sediari, looking at the street and its beaut...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay Estate stamped and hand numbered edition of 150...

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr. is a 14 x 11 inch silver gelatin print. This photograph features a boy flipping in the street, with people watching from th...

Tiger Morse in Leopard Print, School Girls, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo r...

Courtyard Dior Gray Chiffon -- Dorothy Tristan in Dior's Soiree Etoilee smash hit gray chiffon evening dress. Photographed in a Paris courtyard for the Septe...

Tiger Morse in Leopard Print, School Girls, 1962. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo r...

Ormond Gigli Silver Gelatin Print Printed by artist 19.5" x 16.75" Unique: $4725 Provenance: Printed by the artist, from the artist's studio Signature: Signed en verson

Edition of 15 Signed, titled, dated, print date, numbered, and print type by Mario Algaze Selenium toned gelatin silver print, 16 x 12 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin America. In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze was the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work was showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and Mario Algaze A Respect for Light: The Latin American Photographs...

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr. is a 14 x 11 inch silver gelatin print. This photograph features a boy flipping in the street, with people watching from the sidewalk and the skyline of Houston in the background. This photograph is signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the most notable African American...

Tiger Morse in Leopard Print, Shops, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag pape...

Tiger Morse in Leopard Print, Shops, 1962. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag pape...

Tiger Morse in Leopard Print, School Girls, 1962. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo r...

Tiger Morse in Leopard Print, Shops, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag p...

Tiger Morse in Leopard Print, School Girls, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle phot...

Tiger Morse in Leopard Print, Shops, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag pape...

Tiger Morse in Leopard Print, School Girls, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo r...

Tiger Morse in Leopard Print, Shops, 1962. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag pape...

Courtyard Dior Gray Chiffon -- Dorothy Tristan in Dior's Soiree Etoilee smash hit gray chiffon evening dress. Photographed in a Paris courtyard for the September 1955 issue of Life. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image size is 16" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a Dior gray in a courtyard. The model is wearing a strapless gray gown with a long train. She is also wearing long sleeve gray gloves...

Courtyard Dior Gray Chiffon -- Dorothy Tristan in Dior's Soiree Etoilee smash hit gray chiffon evening dress. Photographed in a Paris courtyard for the Septe...

Courtyard Dior Gray Chiffon -- Dorothy Tristan in Dior's Soiree Etoilee smash hit gray chiffon evening dress. Photographed in a Paris courtyard for the Septe...

Courtyard Dior Gray Chiffon -- Dorothy Tristan in Dior's Soiree Etoilee smash hit gray chiffon evening dress. Photographed in a Paris courtyard for the Septe...

Photographie 30x40cm de la dernière série de Jean-Christophe Béchet, Habana Song, tirée par l'auteur lui-même par impression pigmentaire, avec de superbes nuances de noir, dans un to...

Unique gelatin silver print Signed, dated, and numbered (1/-1) in pencil, verso This artwork is offered by ClampArt, located in New York City.

Other sizes and high end framing on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists. T...