Shorts Figurative Photography

A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. Gorgeous print measuring a huge 60 x 40" inches / ca 152 x 101 cm’s paper size. Estate Stamped Collec...

'At The Von Pantzs' 1967 Slim Aarons Limited Estate Edition Print Bathers by the pool at El Rincon, the Marbella home of Baron and Baroness von Pantz, Spain, August 1967. Produce...

'At The Linsk House' 1970 Slim Aarons Limited Estate Edition Print Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard...

'Holidaymakers In Antibes' 1969 Slim Aarons Limited Estate Edition Print Guests at the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, August 1969. Produced from the origi...

“A Bridge Too Far” Photography 36" x 24" inch Edition of 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Not framed. American Dreams - "Park Drive" seri...

'Boating In Antigua' 1961 Slim Aarons Limited Estate Edition American actor Hugh O'Brian (left) hoists the sail on a dinghy, Antigua, West Indies, 1961. Produced from the original...

'Celebrity Cruise' 1965 Slim Aarons Limited Estate Edition Print circa 1965: British comedian Peter Sellers (1925 - 1980) holidays with Princess Margaret (1930 - 2002, right) on the Aga Khan...

'Sailing In Anguilla' 1992 Slim Aarons Limited Estate Edition Print A couple adjusting the sail on their dinghy at a luxury resort on the island of Anguilla in the West Indies, Jan...

Carrie Mae Weems In the Halls of Justice Edition 3/25 Limited edition Signature Signed, verso Steeped in African American history, Carrie Mae Weems makes alternately searing and te...

Untitled TV I, 2012 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 22 H x 40 W inches. Edition of 7 Unframed …this series of portraits that...

'Dappled Light' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Nicaraguan family on the edge of Managua Lake, Managua, Nicaragua, Central America, 1981. Paper si...

Untitled Payún, 2011 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 40 H x 26 W inches. Edition of 7 Unframed …this series of portraits tha...

Slim Aarons Estate Print - Ski Instructors Only Skis leaning against the wall of a hut marked ‘Ski Instructors Only’ in New Hampshire, 1955. (Photo by Slim Aarons) silver gelatin print paper size 16 x 16" inches / 40 x 40 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white winter...

Archival pigment print Signed and numbered on label, verso 13 x 19 inches, image (Edition of 10 + 2 APs) 20 x 30 inches, image (Edition of 10 + 2 APs) 27 x 40 inches, image (Editi...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Evžen Sobek...

A photograph by Andy Warhol. “Andy Warhol and Janice Dickenson” is a silver gelatin print by American Pop Artist Andy Warhol. The artwork is numbered AWL254 by the Andy Warhol Founda...

'Boating In Antigua' (Slim Aarons Estate Edition) American actor Hugh O'Brian (left) hoists the sail on a dinghy, Antigua, West Indies, 1961. This photograph epitomises the trave...

Childhood Memories (Stay), from Ryan Gosling's memory sequence - 2006 20x20cm, Edition of 10, Archival C-Print, matte surface, based on the Polaroid. Certificate and Signature la...

Memory of a Dream (29 Palms, CA) - 2006 Edition of 10, 50x50cm, Archival C-Print, based on a Polaroid. Certificate and Signature Label. Artist inventory Number 3602.13. Not mount...

'Austen and Daisy in front of Trailer II' (Till Death do Us part), 2005 - 128x126 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Certific...

'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signat...

'Tears' - 2013 (The Girl behind the White Picket Fence) 75x93cm, Edition of 5, analog C-Print, hand-printed by the artist, b...

Childhood Memories (Stay), from Ryan Gosling's memory sequence - 2006 58x56cm, Edition of 5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surfa...

Semi Gloss Paper 325 g Edition of 5 Emil Farber is an Israeli filmmaker and photographer born in 1997 who lives and works in Berlin, Germany. He loves capturing street scenes and di...

Planet of the Apes XI, 1999, Edition 1/10, 40x40cm, Signature label and Certificate. not mounted, Stefanie Schneider received her MFA in Communication Design at the Folkwang Schul...

Peanut and Jill (Chicks and Chicks and sometimes Cocks) - 2017 50x50cm, Edition of 10. Archival C-Print, based on a Polaroid. Artist inventory 20053. Signature label and Certificat...

'Memories of Love' (The Girl behind the White Picket Fence) - 2013 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signature ...

Peanut and Jill (Chicks and Chicks and sometimes Cocks) - 2017 20x20cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 20053. Signature label and Certificate....

'A Memory' (Strange Love) - 2010, 20x24cm, Edition 1/10, digital C-Print, based on a Polaroid, signature label and certificate, artist Inventory No. 6131.01, Not mounted. “I nev...

Aimless - It all began quite simply I was very happy - (Wastelands), triptych - 2003 Edition 3/5 , 57 x 56 cm each, installed 57 x 180cm, analog C-Print, hand-printed by the artist...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Emile (2020) Edition of 10 plus 2 Artist Proofs. Lambda Print on Fuji Cristal Archive Paper (glossy surface) based on a Fuji Instant Film (not mounted). Signed on back with Certif...

All Around the Rock Edition of 10 - 40 x 40 cm. Digital C-Print based on a on a 600 Polaroid. Signed on back and certificate. Not mounted. All around the Rock (Shot 2019 on SX70 f...

Slim Aarons Tennis in the Bahamas, 1958 Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. 1957—Two women stand talking to...

Hearts Are Broken - 2020 Edition 1/10 plus 2 Artist Proof, 25x20cm Digital Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mo...

Dance me to the End of Love Series - 2018, Edition 1/10 plus 2 Artist Proof, 60x42cm. Digital Print based on a Polaroid on Hahnemühle photo...

April 1966: Actor George Hamilton with a horse on the island of Capri Slim Aarons George Hamilton with Horse on Capri Chromogenic Lambda Print Slim Aarons Estate Edition Estate st...

Jackie and John Jr. with Clipper, nb_143 -- Photographed in 1963, this image of Jackie and John-John on the beach with Clipper, the family dog, shows a warm and happy time with no hi...

It's only You and Me now (1) - 2017, Edition 2/10 plus 2 Artist Proof, 50x50cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted. Signed on ver...

"Swimming Suit" Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availa...

Sailing boats in the Out Islands of the Bahamas, April 1964. 16 x 20 inches $2150 12 x 16 inches $1800 10 x 12 inches $1350 Complimentary dealer shipping to your framer, worldwid...

Slim Aarons Carlton Hotel, 1958 Archival pigment print Estate stamped and numbered edition of 150 with Certificate of authenticity The entrance to the Carlton Hotel, Cannes, France...

Bathers walking down steps to the swimming pool at Habitation Leclerc, Haiti, January 1975. They are followed by a waiter with cocktails. Complimentary dealer shipping to your frame...

Motorboats moored on the coast near the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, August 1969. Slim Aarons Chromogenic Lambda print Printed Later Slim Aarons Estate Ed...

Slim Aarons Esther Williams Slim Aarons Estate Edition American swimmer and actress Esther Williams (1921 - 2013) lounging on a trampoline, circa 1956. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. He's also been credited with inspiring the sun-soaked, escapist style of top Instagram influencers. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday.” * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Internal: Vintage Hollywood images...

Holidaymakers on the deck of yacht in Saint-Tropez, France, August 1971. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer...

Actors In Antibes 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: August - Actors Kirk Douglas (left), Louis Jourd...

20" x 16" Unframed Open Edition Print Hand Signed by Adam Stoltman

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously p...

Slim Aarons, 'Adriatic Sailors' 1956 Young holidaymakers from Milan enjoy a sail on the Adriatic, 1956. Estate stamped and hand numbered edition of 150 with certificate of authenti...

Chuck Howard was a favorite model of artists Paul Cadmus and Jared French and muse to Lynes, who captured both the erotic and everyday moments in their re...

Spring Break, 1955 Fiber print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity High schoolers picnic on the beach at Bonita Springs...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Model at Disneyland with Baby Elephant -- Photographed on location at Disneyland in California, Mark Shaw's 1964 image for Ladies Home Journal features a...

Patterns abound in this black and white photograph by Kirill Polevoy. The stairs, the woman's patterned tunic, the shadows all take us to the two children in the background, sneakin...

Edition of 50 Signed, titled, dated and numbered in pencil on print verso. Gelatin silver print From Uncertain to Blue series Paper size: 16 x 20 in., Images: 15 x 15 in. Keith Cart...

Slim Aarons Esther Williams Slim Aarons Estate Edition Legendary American swimmer and actress Esther Williams (1921 - 2013) lounging on a white trampoline in a green swimsuit, circa 1956. This photograph features a cheerful interplay between graphic greens and white, and a midcentury graphic composition. This is the perfect classic Aarons photograph for lovers of vintage glamour...