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Gordon StettiniusSanta Monica2009
2009
$1,000
£760.46
€877.15
CA$1,400.82
A$1,567.79
CHF 818.63
MX$19,127.14
NOK 10,391.45
SEK 9,860.85
DKK 6,550.13
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About the Item
Black and White, Portrait, Landscape, Women, Sports, Beach, acrobatics, woman, Santa Monica, Los Angeles, LA, acrobat beach, California, B&W, photography,
black and white
Price and size range (Custom mural sizes available)
All the photographs in a limited edition
- Creator:
- Creation Year:2009
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)
- More Editions & Sizes:16 x 20Price: $1,25020 x 24Price: $1,75030 x 40Price: $3,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: G12060811499

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By Michael McLaughlin
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Listing is for UNFRAMED print. Inquire within for framing.
Edition of 7.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Your Nearest Exit May Be Behind You, a reference to the traditional pre-flight instructions of airline hostesses, is fine art photographer Micheal McLaughlin's collection of the sights found universally in the act of travelling between countries and continents. From dark Hong Kong skylines...
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"Downtown Los Angeles, September 2005", Los Angeles, 2005
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The skewed perspective and stark contrasts of dark and light gives a new point of view to the infamous Hollywood Walk of Fame. The rays of light cast upon the star give a sense of th...
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"Hollywood, October 2005", Los Angeles, 2005
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An unconventional rendering of the classic Hollywood sign.
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the vis...
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David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing:
In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement.
In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard.
David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
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Located in Hudson, NY
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the visual rhythms and geometry of buildings, highways and parks, h...
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"West Los Angeles, November 2001", Los Angeles, 2001
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Thomas ...
Category
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