Alessandro Puccinelli

In Between #8 - Seascape

2018

ALESSANDRO PUCCINELLI Nazare, Portugal, Waves, Seascape Photography, 2019 MARE series Seascape - From the Mare series - Mounted and Framed 40 x 60 inches Edition of 5 60 x 88.5 in...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - UNFRAMED (Print only) Aviailable sizes: 60 x 88,5 inches Edition of 3 Archival Pigment Print ALESSANDRO PUCCINE...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

The Famous 9 West 57th Street red sculpture anchors a New York City street photograph that is part representation and part abstract. ...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Street Art from the rich is to be found on every corner in Naples. It's a city with perhaps more flowers than weeds. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-end condos and ritzy commercial establishments. Shrubs, bushes, and trees are transformed from organic shapes into man-made graphics. They become stripped of surrounding detail to the point that they become abstract in their impact. On any given day in South Florida, there is an army of landscaping trucks with gardeners and groundsmen working meticulously to beautify the street scape...

The William Turner Gallery is pleased to present ÍSLENSKIR FOSSAR, the fourth solo exhibition of Los Angeles-based, multi-disciplinary artist Ja...

JUN AHN (*1981) Invisible Scape, 2014 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 76,2 x 228,5 cm (30 x 90 in.) Edition of 5 plus 2 artist's proofs (#2/5) This photograph belongs to Jun Ahn's series 'Invisible Scape', which was shot between 2010 and 2014. South Korean Jun Ahn came to study in the US, where she graduated from the University of Southern California with a degree in art history in 2006, followed by two years of postgraduate study of photography at the Pratt Institute. While at the Pratt, she had her first work displayed as part of group gallery exhibitions, and began work on the "Self-Portrait" project, which to date is her most prominent series of photographs which she regards as “a performance without an audience”, an end of youth of sorts, and a coming to terms with the future. In 2009 and 2010 she was awarded the Dean’s Scholarship at New York’s Parsons The New School for Design, and in 2011 received both the Dean's and a departmental scholarship. During this time her work received its first major exhibitions, including a joint exhibition with Kazuna Taguchi at PS 122 in New York. Furthermore, Jun Ahn has been selected as one of BJP’s 20 Photographers To Watch in 2013. Parsons awarded her a Master of Fine Arts with honours in January 2012, after which she acquired a PhD in photography from Hongik University in Seoul...