Ansel Adams

Winter Sunrise, Sierra Nevada from Lone Pine

1944

"Moonrise, Hernandez, New Mexico" is a photograph by famed landmark photographer Ansel Adams taken in 1941 and printed c. 1959. The photograph is signed on verso with artist's stamp,...

"Mount Williamson, Sierra Nevada from Owens Valley, California" is a photograph by famed landmark photographer Ansel Adams. The photograph is signed by the artist on the mount below ...

"Aspens, Northern New Mexico" is a photography by famed and landmark photographer Ansel Adams. The photograph is signed in pencil, lower right, "Ansel Adams". The framed piece measur...

A polaroid by Andy Warhol. ""Andy Warhol"" is a Post-War gelatin silver print by American Pop Artist Andy Warhol. The work has been given the Warhol Foundation authentication number ...

A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

A photograph by Andy Warhol. "Self Portrait" is a gelatin silver print by American pop artist Andy Warhol. The artwork is numbered AWL116. Andy Warhol — who famously said that, “In t...

Henry Diltz and Neil Young were walking around his ranch one morning and stopped in one of his little barns to look at some guitars. Neil's little dog, Harte followed. "It looked so ...

Palm trees slowly moving in the breeze. Abstract black and white landscape photograph of palm trees, printed by hand in a traditional darkroom on fiber based gelatin silver paper. Si...

A magical and mysterious black and white landscape photograph taken in the Armenian highlands. In the distance, where the mist and mountains are you see rainfall. Photographed with a medium format Hasselblad camera and a red filter to darken the sky. A limited edition of five prints sized at 25x25 inches, printed by hand in a traditional darkroom on gelatin silver paper. There are only two left in the edition at this size. Framed with wide, antique black stained...

ROBERT STIVERS. Untitled, 2019 (Circus Tent), gelatin silver print, unique variant, edition 1 of 1.

Michael Massaia, Central Park, Half Moon, 2009, Central Park, New York City. Available in three sizes total.

Paul Caponigro. Reflecting Stream, 1968. Gelatin silver print. Edition 41 of 100 (special edition created in the 1970's). Mounted and matted 23.5 x 29". Signed and editioned on print...