
Flamingos at Rio Lagartos by Cheryl Medow, 2017, Archival Pigment Print
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Cheryl MedowFlamingos at Rio Lagartos by Cheryl Medow, 2017, Archival Pigment Print2017
2017
About the Item
- Creator:Cheryl Medow (1944, American)
- Creation Year:2017
- Dimensions:Height: 37 in (93.98 cm)Width: 44 in (111.76 cm)Depth: 0.07 in (1.78 mm)
- More Editions & Sizes:Paper size: 14.5 x 18 in., Image size: 10.4 in. x 13 in. , Edition of 25Price: $1,700Paper size: 21 x 24 in., Image size: 16 x 20 in. , Edition of 10Price: $2,300Paper size: 31 x 36 in., Image size: 24 x 30 in. , Edition of 6Price: $2,900
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Denton, TX
- Reference Number:1stDibs: LU2158539762
Cheryl Medow
California artist Cheryl Medow creates images that entice the viewer to enter the natural world and envision her wild birds, in imaginary and real environments. Using classical and contemporary tools, Medow layers her photographs, weaving them together to create visual narratives. Cheryl Medow’s background in the arts is diverse. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico and digital printmaking with Mac Holbert and John Paul Caponigro in Santa Barbara. With this classical training in the arts and her new found twenty-first century tools, including digital photography and Photoshop, Medow found her calling: traveling around the world searching for birds to photograph and creating new images in her studio. Both worlds engage and enhance her curiosity about birds and puts her into the creative flow of life. Since first exhibiting her work in 2006, Medow has received many accolades and her work is held in many private collections. There have been numerous articles written about her work including Proof.National Geographic - An Altered Reality by Becky Harlan and Inspire Adobe Photoshop For The Birds by Alyssa Coppelman. Medow was a featured artist in the August 2017 publication of LensWork #131. In 2019, Medow had her first showing at AIPAD at Pier #94, NYC. Ten prints from her series were displayed at the Peggy Notebaert Nature Museum in Chicago, Illinois. And, CFPA Center for Photographic Arts in Carmel exhibited Crowned Crane Calling in the November International Juried Exhibition juried by Paula Tognarelli from the Griffin Museum. In 2018, many of Medow's prints from her Envisioning Habitat An Altered Reality series were on view at the Wildling Museum in Solvang, California. Medow's image Grey Crowned Cranes won the Best Of Show award in the Altered Reality category in NANPA's Showcase 2018 along Two Snowys which received the Judges' Choice Award. Both and more were featured in NANPA's publication Expressions 2018. The jurors were George Lepp, Roy Toft and Darrel Gulin. She received both a Gold and Portfolio Awards in San Francisco Bay International Photo Show and Night Heron In Tucson was exhibited at the ACCI Gallery, in Berkeley, California, during the San Francisco Bay Month of Photography in September of 2018. The Texas Photographic Society featured Burrowing Owls at the ArtWorks Gallery in Austin, Texas and received Honorable Mention from the juror, Roy Flukinger. Six prints were featured in Currents 2017 at the Ogden Museum in New Orleans juried by Richard McCabe in conjunction with PhotoNola. Tri-Colored Heron And A Skimmer is now part of the Ogden Museum of Southern Art permanent collection. Over the years, many of her images have been displayed in galleries across the US. Medow hopes that by embracing her hyper-real bird images, her audience will also create more space for birds living on our planet and be mindful of the fragility and beauty of life itself.
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2013
331 sales on 1stDibs
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllNorth Texas: Plowed Field, Patricia by Peter Brown, 2002, Archival Pigment Print
By Peter Brown
Located in Denton, TX
North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil.
North Texas: Plowed Field, Patricia by Peter Brown is listed as a 19.25 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25. This photograph is signed and numbered in black ink on print margin by Peter Brown. North Texas: Plowed Field, Patrica is from Peter Brown's series, Hometown Texas. This photograph is available in additional sizes, limited to a single edition of 25 prints:
16 x 20 in. $2300
20 x 24 in. $2900
28 x 35 in. $4600
32 x 40 in. $5800
36 x 45 in. $6300
Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely.
His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008.
His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art.
His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Central Texas: Odeon Theater, Mason, Texas
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and numbered in black ink on print margin.
Paper size: 18 x 22 in., Image size: 13 1/2 x 20 in.
Series: Hometown Texas
*Images and video show print in size 18 x...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
West Texas: Full Moon over the Chisos Mountain, Big Bend National Park
By Peter Brown
Located in Denton, TX
West Texas: Full Moon over the Chisos Mountain depicts a desert landscape at dusk, with a full moon rising over the mountains. The last light of the setting sun hits the distant mountain range, and wispy clouds...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
North Texas: Grain elevators, Pastor Lopez, Michoacana restaurant, Perryton
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and numbered in black ink on print margin by Peter Brown
Paper size: 20 x 16 in., Image size: 14 x 11 1/4 in.
Series: Hometown Texas
Peter Brown attended Stanfo...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
South Texas: Sorghum field with blackbirds near Falfurrias
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and numbered in black ink on print margin by Peter Brown
Paper size: 18 x 22 in., Image size: 13 1/4 x 20 in.
Series: Hometown Texas
Available in additional siz...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
North Texas: Ivanhoe State Bank, Lipscomb
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and numbered in black ink on print margin by Peter Brown
Archival pigment print
Paper size: 22 x 26 in., Image size: 19 1/4 x 24 in.
Series: Hometown Texas
Available in additional sizes, limited to a single edition of 25 prints:
16 x 20 in. $2300
20 x 24 in. $2900
28 x 35 in. $4600
32 x 40 in. $5800
36 x 45 in. $6300
Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely.
His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008.
His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art.
His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
You May Also Like
Wonder Backyard II - Polaroid, Photograph, Childhood. 21st Century
By Cristina Fontsare
Located in Morongo Valley, CA
Wonder Backyard II - 2018
50 x 66 cm,
Edition 2 of 5.
Photograph printed in Hanemühle Baryta Photo Rag 340gr,
based on a Hand painted Fuji Instant Film original (not mounted).
S...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Highlights - Polaroid, Photograph, Childhood. 21st Century
By Cristina Fontsare
Located in Morongo Valley, CA
Highlights - 2014
20 x 20m ,
Edition 3 of 10 + 2 Artist Proofs.
Photograph printed in Hanemühle Baryta Photo Rag 340gr,
based on a Fuji Instant Film original (not mounted).
Sig...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Wonder Backyard I - Polaroid, Photograph, Childhood. 21st Century
By Cristina Fontsare
Located in Morongo Valley, CA
Wonder Backyard I - 2018
50 x 66 cm,
Edition 2 of 5.
Photograph printed in Hanemühle Baryta Photo Rag 340gr,
based on a Hand painted Fuji Instant Film original (not mounted).
Si...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Jersey Views (Stay) - 21st Century, Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Jersey Views (Stay) - 2006
20x20cm,
Edition of 1/10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 5136.01.
Not mounted.
Stefa...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Archival Pigment, Po...
Yucca Skies - Photography, 21st Century, Contemporary, Landscape, High Desert
By Tao Ruspoli
Located in Morongo Valley, CA
'Yucca Skies' Edition 1/10, 20x30cm, 2017, Archival Pigment Print on Velvet Watercolor Paper, 310gsm, Bright White, Acid Free, Signature label and Certificate.
Published in Tao Rusp...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment
Mad Max (Burning Man), 21st Century, Landscape Photography, Contemporary, Color
By Tao Ruspoli
Located in Morongo Valley, CA
'Mad Max II' (Burning Man) Edition 2/10, 20x30cm, 2016,
Color-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free,
Signature label and Certificate.
unmounted
Abou...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment
Recently Viewed
View AllRead More
Photographer to Know: Harold Edgerton
Edgerton captured motion like no other, yet he considered himself a scientist — not an artist.
These 9 Galleries Have Helped Turn the Lone Star State into a Thriving Art Hub
The Texas art scene is booming, thanks to trailblazing gallerists and their savvy collectors.