Jean-Michel Voge

Greenland, Climate Change, Mist and Ice, Oversized Landscape Photograph

2019

Madeleine de Proust (Proust's Madeleine), Paris 2021 by Roberta Fineberg is a contemporary photography panorama on cotton rag paper (archival pigment print). The art is 20.5" x 26.5"...

Roberta Fineberg’s California Dreaming, 2024 is a color photograph of the iconic Fairmont Miramar Hotel pool in Santa Monica. A tilt-shift lens effect - illustration style photo-art,...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique approach and sensitive insight that allows Bob to not only capture the energy of his subjects but to also create a visceral, intimate experience for the viewer. His distinctive style is globally recognized as his work has been displayed in multiple Ralph Lauren storefronts across 4 different continents and has earned him a spot at many prestigious private art collections and galleries worldwide. His artistic accomplishments have also earned him the Clio Award along with extensive press coverage in publications such as Traditional Home, The Telegraph, The Guardian and more. While Bob is best known for his large equestrian portraits, his newest venture involves a subject that is as equally sentimental to him, seascapes. The ocean itself is of particular interest to Bob because of the consistency it has had throughout his life. From his childhood years spent at Rockaway Beach...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...