C Print Landscape Photography

Guests in the pool at the Algarve Hotel, the Algarve, Portugal, 1970 Slim Aarons Algarve Hotel Pool 1970. (printed later) C print Estate stamped and numbered edition of 150 with ...

A horseshoe beach on Great Harbour Cay, Bahamas, March 1973. Slim Aarons Great Harbour Cay 1973 C print (Printed later) Estate signature stamped and hand numbered edition of 150 wit...

Photograph of a vintage fairground Chairoplane, lit up in a golden hue against the motion and beauty of the dark blue sky captures the magic of the 2022 Haddenham Steam Rally. Artwor...

Untitled (Fairytales) - 2006, 48x59cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

Chalk Streams 7, 2023 - English Nature Photography New Forest Landscape by Ellie Davies Chalk Streams 7 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in t...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Ferguson Racing Streamliner, in the iconic home of speed, Bonneville Salt Flats. Bonneville has been the setting of many land speed attempts and records, the unique landscape creates...

Hotel du Cap Eden Roc - Swimming Pool Hotel Cap d'Antibes French Riviera by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later Please n...

View of Hotel du Cap, Eden Roc - Five Star Hotel on French Riviera Sea Views by Slim Aarons 12" x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "V...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Untitled (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6328 Not mounted. ...

A woman reclining in a hammock hung between palm trees on the beach at the Caribe Hilton in San Juan, Puerto Rico, March 1956. Slim Aarons Caribe Hilton 1956. (printed later) C pri...

Canyon is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2 cm (...

'Zzyzx Resort Pool', part of Richard Heeps 'Dream in Colour' Series, he was set a challenge to find something interesting on the road from LA to Las Vegas. In the heart of the Mojave...

Somewhere in Australia, 1995 - 46x20cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

1968, A kneeling sunbather shows off her rings and pendant on a beach in Capri, Italy. Slim Aarons Capri Tan 1968. (printed later) C print Estate stamped and numbered edition of 1...

Cryo VIII is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2 c...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Strata VI is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 152...

New York City Skyline With Clouds 2022 by Orbon Alija C print Oversize 30x20" inches / 76 x 51 cm Unframed Framing & different Sizes availabl...

A Vision you can't Capture #04 (29 Palms, CA) - 2007 A piece from the 29 Palms, CA project 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. A...

Minnie and Dru Montagu - Couple Poses for Photograph on Sandy Beach under Palms by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 1...

El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to the natural landsca...

Chalk Streams 10, 2023 - Biodiversity Ecosystem English Woodland New Forest by Ellie Davies Chalk Streams 10 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper. This size...

Plane (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory #54...

Baltic Ice, Kloogaranna 021 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 dime...

Three Framed Salton Sea Photographs. A collection of blue hued landscapes and waterscapes from Richard Heeps travels, American road trips shooting his ...

Oleander (Life on Mars) - 2024 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 22313....

Former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and other guests at the Kaufmann Desert House in Palm Springs, Ca...

Leixlip Castle circa 1990 by Christopher Simon Sykes An oil painting, various saddles and an old trunk in Leixlip Castle, County Kildare, 1990s. (Photo by Christopher Simon Sykes) ...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Palm Springs Pool Side, photograph by Richard Heeps taken at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs architecture set against saturated b...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Primo Tempo 3 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A bucolic scene, almost reminiscent of Baroque or Renaissance ...

'Florescence', photograph from Richard Heeps' 'Dream in Colour' series taken in Panamint Valley, Death Valley National Park, California. This minimal landscape photograph uses a shal...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Water Front is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 × 76.2 cm...

Baltic Ice, Kakumaee 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensi...

Palm Springs Palm Trees (Californication) - 2023 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph...

Richard Heeps' eye caught this unique moment at the Welney Wetlands Trust when photographing his series 'A View of the Fens from the Car with Wings', 'wings' being a theme of the pro...

Hong Kong Apartments II is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. Thi...

"4 Corners I" (Last Picture Show) - 2005 58x57cm, Edition of 5. Analog C-Print, hand-printed and enlarged by the artist on Archive Fuji Chrystal Paper, based on a Polaroid, Not m...

'Homestead III', from a sequence of photographs of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dr...

Summer Interlude II (Deconstructivism) - 2020 - about the narrative potential of images. 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Art...

Hidden Valley (Till Death Do Us Part) - 2005 78x77cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Signature label and Certificate. artist Inventor...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Blue symmetry guides your eyes out to sea in this photograph by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print from negative, dry-mounted to aluminium presented in a museum board white window mount and a choice of black or white box framed fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order. This artwork is available in other sizes and it pairs well with Richard Heeps artworks in our 1stdibs store. "Richard Heeps' seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter - be it cool descriptive interiors, still life or landscape. His distinctive style pushes the limits of photography." He is a film-based photographer, using a range of vintage analogue cameras. He considers himself to have three studios, the external studio of whichever location he may be shooting, his darkroom where I make my master prints and his home studio where he does the postproduction where the artworks are mounted framed and finished. He aims to make accessible artwork without compromising on quality and making everything in house he is in control of each step to achieve that. Although he was brought up in East Anglia (England), he was heavily influenced by America. he visited American bases, kept magazine cuttings and followed drag racing. The speed, lifestyle and technicolour is reflected in his imagery. 'American' colour is a major aspect in his work, it drives his equipment and material choices. At age ten he began participating in art shows and became comfortable with showing his work and the praise and criticism which is part of an artists development. In his early paintings Manhattan was reoccurring theme, fascinated with New York. Throughout his professional career he has been lucky enough to exhibit in Museums and Public Galleries since the 1980's. Since 2008 his gallery Bleach Box...

The grand stand, at the authentic modest but historic Inyokern Airport Drag Strip. As a drag racing fan Richard is pleased he got to photograph there for h...

Between the Trees 12, 2014 - Misty and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 12 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, ...

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreg...

Massimo Listri’s photography transcends documentation to become a meditation on space, beauty, and time. His “absolute eye” reveals harmony in interiors where human presence is absen...

Smoke and Mirrors 4, 2010 - Forest Scenery in Natural Woodland Landscape by Ellie Davies Smoke and Mirrors 4 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available...

Magic Mountain III (Memories of Green) - 2003 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. based on an expired Polaroid, Artist...

Skiers in Zermatt, Switzerland, March 1968. Slim Aarons Zermatt Skiing 1968 C print (Printed later) Estate signature stamped and hand numbered edition of 150 with certificate of au...

Gasoline III (Stranger than Paradise) - 1999 Edition 10, 120x120cm, analog C-Print, hand-printed by the artist, based on the Polaroid, Not mounted, Certificate and Signature label, artist Inventory No. 271.01 Exhibition photos from the solo show 'Rough Cuts' at the Susanne Vielmetter gallery, LA Projects. The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? In this captivating artwork, we are drawn into the enigmatic world captured by Stefanie Schneider, where a solitary man, lost in his own thoughts, embarks on a journey while engulfed in a cloud of smoke...

A line of sleighs crossing a snow field at St Moritz, Switzerland, March 1963. Slim Aarons Crossing Snow Field, 1963 C print Estate stamped and numbered edition of 150 with Certif...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not Mounted.

Between the Trees 3, 2014 - Mist and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Ma...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, artist inventory numbe...