C Print Landscape Photography
to
154
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705
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Overall Width
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6
135
332
186
117
426
3,794
896
41
21
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16
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2
2,989
1,184
927
1,530
1,321
1,312
604
521
513
460
458
410
409
343
338
318
315
303
297
296
267
253
219
8,114
7,358
6,135
5,846
5,112
1,565
842
579
269
216
518
1,472
3,732
1,337
Medium: C Print
Palm Trees at Night (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees at Night (Stranger than Paradise) - 1999
Edition 4/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Ar...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Diesel - 21st Century, Polaroid, Landscape Photography, Contemporary
Located in Morongo Valley, CA
Diesel - 2018
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2018 - 414.
Not m...
Category
2010s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Salton Sea Marina (California Badlands) - Polaroid, Landscape, Contemporary
Located in Morongo Valley, CA
Salton Sea Marina (California Badlands) - 2016
20x24cm,
Edition 6/10.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 18088.14.
Not...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Slim Aarons Estate Print - Polo Match 1990- Oversize
By Slim Aarons
Located in London, GB
Slim Aarons Estate Print - Polo Match - Oversize
A polo match in play, Argentina, December 1990.
(Photo by Slim Aarons)
Chromogenic print
paper size 40 x 60" inches / 101 x 152 c...
Category
1990s Modern C Print Landscape Photography
Materials
C Print, Color
Mr. Postman - 21st Century, Polaroid, Landscape Photography, Contemporary
Located in Morongo Valley, CA
Mr. Postman, 2018
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory #PL2018 - 409.
No...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Starlite Motel (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Starlite Motel (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Oilfields) - Contemporary, 21st Century, Desert, Polaroid, Landscape
Located in Morongo Valley, CA
Untitled (Oilfields), 2004
60x60cm,
Edition 4/10
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory No. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Giardino di Barbarigo a Valsanzibio, Italy
Located in New York City, NY
Chromogenic Print – Unframed
Free Shipping – Ask us for custom framing options.
40 x 48 inches - edition of 5
48 x 60 inches - edition of 5
71 x 88.5 inches - edition of 5
"My ph...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, C Print
9-11
By Lori Grinker
Located in New York, NY
9-11
2001
Signed and numbered, verso
Chromogenic print
11 x 14 inches
(Edition of 25)
$2,500
16 x 20 inches
(Edition of 15)
$3,500
This work is offered by ClampArt in New York City.
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
C Print
Beach Boy (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Beach Boy (Zuma Beach) - 1999
43x59cm,
Edition 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #207.
N...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Afar III by Luca Marziale - Abstract fine art photography, green, nature, rocks
Located in Paris, FR
Afar III is a limited-edition photograph by contemporary artist Luca Marziale.
This photograph is sold unframed as a print only. It is available in 2 dimensions:
*76.2 × 76.2 cm (3...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print
Deep Mirroring Forest 012 by Bernhard Lang - Landscape photography, trees, green
Located in Paris, FR
Deep Mirroring Forest 012 is a limited-edition photograph by German contemporary artist Bernhard Lang.
This photograph is sold unframed as a print only. It is available in 5 dimens...
Category
2010s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print
Pink Flower Carpet (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Pink Flower Carpet (Zuma Beach) - 1999
43x59cm,
Edition 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #2...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pink Flower Carpet (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Pink Flower Carpet (Zuma Beach) - 1999
43x59cm,
Edition 4/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #22...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
No Lifeguard on Duty (Oxana's 30th Birthday) - Polaroid, Landscape, Contemporary
Located in Morongo Valley, CA
No Lifeguard on Duty (Oxana's 30th Birthday) - 2010
58x56cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist,
based on the Polaroid.
Artist invent...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dot's Diner, Bisbee, Arizona - American color photograph
Located in Cambridge, GB
On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet.
'Dot's Diner', photograph from Richard Heeps' 'Dream in Colour' series, featuring a classic American Diner in Bisbee, Arizona. The gorgeous colours created by the glowing neon lights at twilight, make for a cool vibe reminiscent of the movie musical Grease.
This artwork is a limited edition of 25 gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass, signed and numbered on reverse accompanied by a certificate of authenticity.
Handmade to order.
This artwork is available in other sizes and pairs well with Richard's other artworks so be sure to look at our 1stdibs store to see more of his work.
“Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival products – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors.
Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...
Category
21st Century and Contemporary Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Stardust (Vegas) - analog, vintage print
Located in Morongo Valley, CA
Stardust (Las Vegas) - 1999,
44x59cm,
Edition 5/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #553.0...
Category
1990s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
'Skiing At Courchevel' 1963 Slim Aarons Limited Edition Estate Stamped Print
By Slim Aarons
Located in London, GB
'Skiing At Courchevel' 1963
Slim Aarons Limited Edition Estate Stamped Print
The ski resort of Courchevel, in the French Alps, 1979.
Produced from the original transparency
Certif...
Category
1960s Modern C Print Landscape Photography
Materials
C Print
Vagabond (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Vagabond (American Depression) - 2017
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Circle of Magic - Do you believe in Magic - 29 Palms, CA
Located in Morongo Valley, CA
Circle of Magic (29 Palms, CA) - 2009
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
artist inventory num...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
C Print, Polaroid, Archival Paper, Photographic Paper, Color
Joshua Tree (29 Palms, CA) - Landscape, Polaroid, Photograph, expired, Nature
Located in Morongo Valley, CA
Joshua Tree (29 Palms, CA) - 1999
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
Artist inventory 20975.
...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Millennial Falcon (Sidewinder), analog, 100x98cm - Polaroid, 21st Century
Located in Morongo Valley, CA
The Millennial Falcon (Sidewinder) - 2005
100x98cm,
Edition 1/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Artist Invento...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Honeymoon Hideaway, Palm Springs California - Mid-century architecture photo
Located in Cambridge, GB
On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. Honeymoon Hideaway captures iconic mid-century futuristic Googie Palm Springs architecture.
This artwork is a limited edition of 25 gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass, signed and numbered on reverse accompanied by a certificate of authenticity.
Handmade to order.
This artwork is available in other sizes and pairs well with Richard's other artworks so be sure to look at our 1stdibs store to see more of his work.
“Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival products – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors.
Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...
Category
21st Century and Contemporary Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Late for the sky - Contemporary, Polaroid, Color, Seagulls, Beach
Located in Morongo Valley, CA
Late for the Sky - 2020
50x50cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2020-98...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ghosts (The Last Picture Show) - Polaroid, Photograph, Contemporary, Americana
Located in Morongo Valley, CA
Ghosts (The Last Picture Show) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist inventory 2...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Frozen IV (Last Picture Show)
Located in Morongo Valley, CA
Frozen IV (Last Picture Show) - 2001
20 x 20 cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Deep Mirroring Forest 015 by Bernhard Lang - Landscape photography, trees, green
Located in Paris, FR
Deep Mirroring Forest 015 is a limited-edition photograph by German contemporary artist Bernhard Lang.
This photograph is sold unframed as a print only. It is available in 5 dimens...
Category
2010s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print
It's gonna get worse before it gets any better (Till Death du us Part)
Located in Morongo Valley, CA
It's gonna get worse before it gets any better (Till Death Do Us Part) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate an...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Slim Aarons Estate Edition - Palm Beach Idyll
By Slim Aarons
Located in London, GB
Slim Aarons - Palm Beach Idyll- Estate Stamped Edition
Limited to 150 only
A couple sunbathe by the sea at Palm Beach Florida 1955 USA (Photo by Slim Aarons).
This photograph epi...
Category
1950s Modern C Print Landscape Photography
Materials
Color, C Print
Breaking the Waves (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Breaking the Waves (Zuma Beach) - 1997
43x59cm,
Edition of 3/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cloudy Empire (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Cloudy Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Afternoon Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Afternoon Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Slim Aarons Limited Edition Estate Print - Leonard Dalsemer 1974
By Slim Aarons
Located in London, GB
Leonard Dalsemer 1974 Slim Aarons Limited Edition Estate Print
Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974.
(Photo by Slim Aarons...
Category
1970s Modern C Print Landscape Photography
Materials
C Print, Color
Across (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Across (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6145.
N...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Dream Play (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
A Dream Play (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 60...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
California Depression (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
California Depression (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Massimo Listri 'Palazzo Ducale di Massa'
Located in New York, NY
Palazzo Ducale di Massa
2016
C-print
120 x 150 cm unframed
Edition of 5
Signed and numbered on verso label.
The photographer is based in Florence, and is fascinated how his archite...
Category
21st Century and Contemporary Modern C Print Landscape Photography
Materials
C Print
The Safari Inn (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
The Safari Inn (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ski Inn (Bombay Beach), 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Ski Inn (Bombay Beach) - 2018
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Not mounted.
Bombay...
Category
2010s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Bombay Palm Trees (California Badlands) - Bombay Beach - Polaroid, Contemporary
Located in Morongo Valley, CA
Bombay Palm Trees (California Badlands) - Bombay Beach) - 2019
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Signature label and Certifica...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Stop Bombay Beach (California Badlands)
Located in Morongo Valley, CA
Last Stop Bombay Beach (California Badlands) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Table for Two (Bombay All Day) - Contemporary, Polaroid, Bombay Beach, Landscape
Located in Morongo Valley, CA
Table for Two (Bombay All Day) - 2019
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inven...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Slim Aarons - John Rawlings 1950 - Estate Stamped
By Slim Aarons
Located in London, GB
John Rawlings 1950 Slim Aarons
Limited Edition Estate stamped
1950, Fashion photographer John Rawlings (1912 - 1970) on the beach at Montego Bay, Jamaica.
Produced from the origi...
Category
1950s Modern C Print Landscape Photography
Materials
C Print
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2194.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2197.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Columbia Thinking (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Not a Through Street (Drive to the Desert) - analog hand-print
Located in Morongo Valley, CA
Not a Through Street (Drive to the Desert) - 1999
44x59cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signed o...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Interstate 10 Overpass (Drive to the Desert) - analog hand-print
Located in Morongo Valley, CA
Interstate 10 Overpass (Drive to the Desert) - 1999
44x59cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signe...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
April is the Cruelest Month - Contemporary, Landscape, Polaroid, Analog
Located in Morongo Valley, CA
April is the Cruelest Month (Memories of Green) / (The Getaway) - 1999
58x56cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist on Fuji Crystal Arch...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Summer Interlude II (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Summer Interlude II (Deconstructivism) - 2020
- about the narrative potential of images.
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Art...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
'Tram Turntable' 1960 Slim Aarons Limited Estate Edition
By Slim Aarons
Located in London, GB
'Tram Turntable' 1960 Slim Aarons Limited Estate Edition
A tram being manually rotated on a turntable in San Francisco, California, 1960.
Produced from the original transparency
C...
Category
1960s Modern C Print Landscape Photography
Materials
C Print
Another Galaxy
Located in Morongo Valley, CA
Another Galaxy, 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, Based on the original Polaroid, not mounted.
Signature label with certificate.
Artist inventor...
Category
2010s Contemporary C Print Landscape Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Route 14, New Mexico
By Amy Stein
Located in New York, NY
Digital C-print
Signed and numbered, verso
16 x 20 inches
(Edition of 15)
24 x 30 inches
(Edition of 10)
30 x 37.5 inches
(Edition of 5)
This photograph is offered by ClampArt, l...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
C Print
'La Concha Beach Club' 1975 Slim Aarons Limited Estate Edition
By Slim Aarons
Located in London, GB
'La Concha Beach Club' 1975 Slim Aarons Limited Estate Edition
Bathers at La Concha Beach Club, Acapulco, Mexico, February 1975.
Produced from the original transparency
Certificate...
Category
1970s Modern C Print Landscape Photography
Materials
C Print
Slim Aarons Estate Print - Beauty and the Beast 1959 - Oversize
By Slim Aarons
Located in London, GB
Slim Aarons Estate Print - Beauty and the Beast - Oversize
Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford’s home in Palm Beach, Florida...
Category
1950s Modern C Print Landscape Photography
Materials
C Print, Color
C Print landscape photography for sale on 1stDibs.
Find a wide variety of authentic C Print landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Massimo Listri, Kirsten Thys van den Audenaerde, and Richard Heeps. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large C Print landscape photography, so small editions measuring 0.4 inches across are also available
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