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Pigment Landscape Photography

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Medium: Pigment
David Burdeny - Morning Snow, Versailles, France, 2010, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

Tyler Shields - The Lake's Edge, Photography 2020, Printed After
Located in Greenwich, CT
Series: Fairytale Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Luster, Archival Paper, Photographic Paper, Pigment, Color, Digital, Pig...

David Burdeny - Grand Canal I, Venice, Italy, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13" x 16" Edition of 4 21” x 26" Edition of 4 32” x 40" Edition of 7 44” x 55” Edition of 10 While the spaces themse...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Grand Canal I, Venice, Italy, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13" x 16" Edition of 4 21” x 26" Edition of 4 32” x 40" Edition of 7 44” x 55” Edition of 10 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Giudecca, Venice, Italy, Photography 2012, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 21" Edition of 4 21” x 35" Edition of 4 32” x 53” Edition of 7 44" x 73" Edition of 10 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Marie Antoinettes’s Chateau, Versailles, 2010, Printed After
Located in Greenwich, CT
Title: Marie Antoinettes’s Chateau, Versailles, France All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edit...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Oyster Racks, Mèze, France, Photography 2012, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 4 21” x 26" Edition of 4 32” x 40” Edition of 7 44" x 55" Edition of 10 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Paris from the Arc de Triomphe, Paris, 2010, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Ancora, Venice Italy, Photography 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 16" x 13" Edition of 4 26” x 21" Edition of 7 40” x 32" Edition of 7 55” x 44” Edition of 10 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Fontana di Trevi, Rome, Italy, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 26” x 21" Edition of 7 40” x 32" Edition of 7 55” x 44” Edition of 10 73.5" x 59" Edition of 5 While the spaces them...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Mont Saint-Michel, France, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - La Citta Alta II, Naples, IT Photography 2021, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 26” x 21" Edition of 7 40” x 32" Edition of 7 55” x 44” Edition of 10 73.5" x 59" Edition of 5 While the spaces them...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Montparnesse at Dawn, Paris, France, 2012, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Le Temple Neuf, Metz, France, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 21" Edition of 7 32” x 32" Edition of 7 44” x 44” Edition of 10 59" x 59" Edition of 5 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Île Du Fort National, St-Malo, France, 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - River Seine I, Paris, France, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - November Sky, Cote D’Azur, France, 2012, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 21" Edition of 7 32” x 32" Edition of 7 44” x 44” Edition of 10 59" x 59" Edition of 5 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Grand Canal II, Venice, Italy, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Eiffel Tower, Paris, France, Photography 2010, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 21" Edition of 15 21” x 25" Edition of 7 32” x 53” Edition of 7 44" x 73" Edition of 7 While the spaces themse...
Category

21st Century and Contemporary Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Angel Arms Rabbit Ears, Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba series different fro...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, C Prin...

David Burdeny - David Burdeny - Grotta, Pugila, Italy, 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces them...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Fes El Bali, Fez, Morocco, Photography 2022, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 21" Edition of 7 32” x 32" Edition of 7 44” x 44” Edition of 10 59" x 59" Edition of 5 While the spaces themse...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Gondola Station III, Grand Canal, Venice, 2012, Printed After
Located in Greenwich, CT
Title: Gondola Station III, Grand Canal, Venice, Italy All available sizes & editions for each size of this photograph: 13” x 21" Edition of 4 21” x 35" Edition of 4 32” x 53” Editi...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Dusk Fog, Venice, Italy, Photography 2010, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13" x 16" Edition of 15 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59" x 73.5" Edition of ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Gondola Station II, Grand Canal, Venice, 2012, Printed After
Located in Greenwich, CT
Title: Grand Canal, Venice, Italy All available sizes & editions for each size of this photograph: 13” x 21" Edition of 4 21” x 35" Edition of 4 32” x 53” Edition of 7 44" x 73" Edi...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Gondolas, Venice, Photography 2010, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces them...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Amore, Paris, France, Photography 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces the...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Avenue de Champs Elysees, Paris, Photography 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces the...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Campo San Barnaba, Venice, Italy, 2010, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 21" Edition of 4 32” x 32" Edition of 10 44” x 44” Edition of 7 While the spaces themselves are ornate and tra...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Saltern Study 17, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The tension between u...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Pigment, Pigment

David Burdeny - Cheetah Coalition, Maasai Mara, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Elephant Pair, Amboseli, Kenya, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Carnon-Plage, France, Photography 2012, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 21" Edition of 4 21” x 35" Edition 5 of 7 32” x 53” Edition 6 of 7 44" x 73" Edition 8 of 10 While the spaces ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Head in the Clouds, Amboseli, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Pigment, Pigment, Arch...

David Burdeny - Blue Coast 01, Realmonte, Agrigento, Sicily, 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces the...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Zebras at Watering Hole, Maasai Mara, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny-Elephant Mother and Calf, Maasai Mara, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Lioness in Repose, Maasai Mara, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Pigment, Pigment

David Burdeny - Solace, Amboseli, Kenya, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny- 12 Giraffes, Maasai Mara, Kenya, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Cava Bianco IV, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment

David Burdeny - Zebra Plains, Maasai Mara, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Elephants Crossing Dusty Plain, Amboseli, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Elephant on the Horizon, Amboseli, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - Paradise, Maasai Mara Kenya, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny-Lioness and Four Cubs Rivers Edge Maasai Mara, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

21st Century and Contemporary Contemporary Pigment Landscape Photography

Materials

Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...

David Burdeny - One Eyed Lion, Maasai Mara, Kenya, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Pigment, Pigment

David Burdeny - One Love, Serengeti, Africa, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 12" x 20" Edition of 8 22” x 34" Edition of 8 32” x 48” Edition of 10 This project Before Ever After was less about...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Lion Cubs Under Acacia Tree, Maasai Mara, 2018, Printed After
Located in Greenwich, CT
Title: Lion Cubs Under Acacia Tree, Maasai Mara, Kenya All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edit...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Pigmen...

David Burdeny - Old Havana (Horse), Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba serie...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, Pigm...

David Burdeny - Cava Bianco VII, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment

David Burdeny - Gimnasio de Boxeo, Havana, Cuba, 2014, Printed After
Located in Greenwich, CT
Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba serie...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

Palace Square, St Petersburg, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, C Pr...

Winter Red, Catherine Palace, Pushkin, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, C Pr...

David Burdeny - Rialto Bridge, Venice, Italy, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 13" Edition of 15 21” x 21" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

Early 2000s Contemporary Pigment Landscape Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Parralex, Great Salt Lake, UT, Photography 2017, Printed After
Located in Greenwich, CT
Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The te...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment

David Burdeny - Saltern Study 12, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The te...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Pigment, Pigment

David Burdeny - Red Wall, Peterhof, Russia, Photography 2015, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...
Category

2010s Contemporary Pigment Landscape Photography

Materials

Digital Pigment, Paper, Archival Pigment, Pigment, Inkjet, Digital, Pigm...

Pigment landscape photography for sale on 1stDibs.

Find a wide variety of authentic Pigment landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Burdeny, Tyler Shields, and Iliana Ortega. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment landscape photography, so small editions measuring 0.4 inches across are also available

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